Friday, July 30, 2021

American Horror Stories 1.03 and 1.04

American Horror Stories. It's been a very interesting experiment so far from Hulu. We have had at least four episodes. They all encapsulate perfectly what has been making American Horror Story great. 
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American Horror Stories 1.03 "Drive In"

Last week, we saw the release of Episode 3 "Drive In". At the time, it was an episode that I fell in love with. It's always great when we see cursed tapes. Yeah, it's a bit of a trope by now. But Ryan Murphy's crew did a wonderful spin on it. 

(It also reminded me of the John Carpenter Masters of Horror episode "Cigarette Burns" with Norman Reedus. If you haven't seen it, I highly recommend it. ) 

The story was simple. Guy likes girl. Guy gets girl to watch Bob Ross in the hopes of reaching the next step in the relationship. Girl says No. Guy talks to his friends and comes off a bit douchey. Friends suggest going to the Drive In to see a lost film called Rabbit Rabbit. They go and then hell breaks loose. 

It's a bit simplostic. But it worked so well. Especially with the fantastic performances of Rheney Feliz, Madison Bailey, Ben J. Pierce, Leonardo Cecchi and Kyle Red Silverstein. Everyone did a great job of making their performances memorable in the first few moments we see each of them on screen. We also get Adrienne Barbeau running the Drive In. She always does a fantastic job. And then we have two alums (John Carroll Lynch and Naomi Grossman) - these two deliver amazing performances. It's these two along with Feliz and Bailey that are even absolutely essential to this entire episode. The places that John Carroll Lynch goes to in this episode are dark and deep. Yet, he is able to do so in just a few moments. That is absolutely incredible. 

And yeah, there's gore. Quite a bit of it. But nothing too over the top. It feels like this takes the cursed film trope and mashes it into a zombie film. 

The only thing that I have to say that's bad about this episode is that it left me wanting more. The pacing was perfect. And Eduardo Sánchez delivered a great episode. But it just felt like the ending was only the beginning. And I know others that wouldn't be disappointed if we saw a Part 2 to this. 

Rating: 5 out of 5.

(If you enjoyed this episode and looking for another similar idea, check out Midnight Movie from the great Tobe Hooper)
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American Horror Stories 1.04 "The Naughty List" 

This week's episode was brought to us by Max Winkler. 

One of the coolest things of this series has been seeing the different title sequences. This one had a nice return of the theme music from 1984. A nice fit that highlighted the tone of the episode. 

This episode was slightly a rough one for me. I have a good idea of why. It may involve Bro House. 

The setup is A group of influencers face a reckoning after posting a problematic video online. Quickly it's established that we are not supposed to be rooting for the members of the Bro House. We are supposed to be cheering for their demise. As they encapsulate all that is wrong with Social Media influencers perfectly. The perfect examples of douchebags. 

Bro House consists of Zinn (Nico Greetham), James (Dyllon Burnside), Wyatt (Charles Melton) and Barry (Kevin McHale). Each of them have let their fame status go to their heads. They think they can do no wrong. That they are untouchable. Well except for Barry. Barry seems to have finally realized he's had enough. 

This is more true after their latest excursion - witnessing a tragic event. Do they stop filming? No, Zinn is first to say Keep running because it'll do well for their views. However they are shown what disgusting humans they have turned into. After losing subscribers, they believe their next idea will work. No matter how morally wrong it is. Their last attempt to try and rekindle things leads them to harassing the elves of the Mall Santa. Quickly the Santa tells them they will get what they deserve. 

The pacing on this episode felt off. The focus was mostly on establishing how much of a douchebag these influencers are. Whereas, I would have had the final act be like a wraparound story - the Mall Santa (wonderful Danny Trejo) picking them off one by one. We would have small highlights of the 'douchebag diaries' that led them to these events. This would have strengthened the story. Instead, it just feels like a quick one and done conclusion. 

The actors all do a great job with their performances. They literally make it so we wish to see these characters meet their ends. I wish Barry could have gone on and learned from this event. But that's to the strength of Kevin McHale's wonderful performance. Danny Trejo does a great job being intimidating and menacing. 

Overall, this was an okay episode. With all that we have seen so far, we were bound to come across a meh episode. I say it's Meh. However, it could have been a lot worse. 

Rating: 3 out of 5.
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CLASSIC REVIEW: WEIRD FICTION

Hello everyone, welcome back! So far this has been a huge leap forward for the blog since finding our new home. Everyone has been very welcoming. And it's great seeing the community come together. 

Here we have a classic review. It's the first review I had the pleasure of writing. 

Also you'll notice the retro gray logo of the blog. This is one that was done when I had the new logo done. I really like it. Whenever you see this logo, it'll be for a classic review or an old film (such as Night of the Living Dead). I think it looks really snazzy. 
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Horror tends to run in cycles. The 80s had the anthologies. The 90s were a bit more meta with their approach. The 00s were jam-packed with the remakes. What was next?

The more I had begun to investigate it – the more I had begun to realize. The 2010s were the decade of anthologies. Think about it – we had ABCs of Death, Tales of Halloween, V/H/S, and All Hallow’s Eve are a few of the examples of anthologies that we’ve had.

Joining those films, I am proud to say is Weird Fiction.


Directed and Writen by Jacob Perrett, Weird Fiction is a delightful throwback to the anthology films of the 80s. It oozes the tone, atmosphere, and energy of those 80s anthology films in such a wonderful way. It feels like it could even be a long lost 80s anthology film. And that is one of its greatest strengths.


Our host of Weird Fiction is none other than “The Collector”, wonderfully played by Perrett. He gleefully channels his inner-crypt keeper as he introduces each of the film’s segments. It’s actually refreshing to see “The Collector” be such an integral part of the film – as it helps it stand out among the other anthology films.

First up of The Collector’s four segments is “Goodnight, Daddy” starring Carson Jones, Matt Nale, Isabella Rodriguez, Taylor Rhoades and Christian Styborski. It is a throwback to the 80s slasher in the form of “Father”. While the story is very simple, this segment was very strong in building its characters in the short time that it had. But another of its strengths is that it doesn’t spell out the backstories for them, allowing the audience to perhaps build their own backstory for them. I can attest that I had built a ‘headcanon’ for the motivations of “Father”. In my initial viewing of the film, this was a stand out as my favorite.


Next up was “Night of the Sitter” starring Taylor Rhoades, Matt Nale, Danielle Rhoades, and Mackenzie Anthony. It revolves around the idea of ‘What happens when a night of babysitting gets out of hand?’. While I initally had thought the story in this segment was going to go in one direction, Perrett was able to surprise me in the direction that it ultimately led. This story had a feeling of the family films of the 80s (Goonies, looking at you.). The one drawback I found, and it really could be seen as a strength, was that it felt too short. I found myself wishing to see more of these characters.


Our third segment was one that I did not see coming in “The Incubus” starring Taylor Rhoades, Torri Bouslough, Caleb Bish, Rose Spencer and Ashley Smith. It channels the vampire films of the 80s in a completely original direction – the exploits of a Vampire Porn Star. While that may lead one to think that there would be nudity, there is none. And honestly, there did not need to be as it would have taken away from the story. My only complaint with “The Incubus” is that it felt a little long. Don’t get me wrong, it has good characters. But the pacing seemed to be only a hair or two off.


And the final segment “Cosmic Terror” starring Isabella Rodriguez, Rylee Prenatt, Taylor Rhoades, Colten Phillips and Roe Spencer showcases the downfall of the human race. This segment had showcased a plethora of tones. Initially, it had the feeling of “E.T.”. but as it progressed it began to turn into the nightmare of “Evil Dead”. This was a strong story and it continued to pull me in as each moment had passed.

While those are all brief rundowns of the segments, it is because I strongly do not wish to spoil the stories – doing so would ruin the experience Weird Fiction is seeking to provide.


The acting, in some instances, were a bit hit or miss. But it did not pull me out of the film. It actually added to the illusion that this was from a bygone era. The music was another highlight. It felt very fitting and never took me out of the film.


Thank you to Jacob Perrett (Writer/Director) and Taylor Rhoades (Producer) for crafting such an enjoyable throwback to the films of old. It left me a bit surprised where the story would go and had memorable characters.


I highly recommend Weird Fiction as it is an experience like no other. It manages to encapsulate the 80s experience in such a fantastic way. And perhaps may even leave you looking forward to what comes next – hopefully this is only the beginning.


Final Score: 8.5 out of 10.

Weird Fiction can be found on Tubi and available to buy from Amazon.


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NEVER HIKE IN THE SNOW: A Fan Film Review (Spoilers)

*THERE WILL BE SPOILERS*

In 2017, Vincente DiSanti and Womp Stomp Films changed the way fan films were seen. With their release of Never Hike Alone, they established a strong iconic take on Jason Voorhees that has been dubbed 'Ghost Jason'. And it successfully showed that a found footage take on the franchise could work. They understood everything perfectly on what works and can work within the franchise. With its closing moments, I was ready for more. 

This last December, the next chapter in this saga was released - Never Hike In The Snow. It safely placed itself three months before the previous entry. For me, I was unsure of how that would work. I wanted to know more of what was to happen after Never Hike Alone's ending. 
But Vincente DiSanti and Womp Stomp Films happily showed me that it was okay to be wrong and to be patient.

The film opens with Mark Hill (Courtlan Gordon) fleeing from Jason. This sequence is very iconic as we witness Jason in a new environment - the snow. It quickly establishes the tense breakneck pace. Jason's weapons of choice being the bow and arrow and an axe. I was excited to see Jason standing with the bow and arrow while snow fell slowly around him. 

Suffice to say, Mark's attempt to escape fails. While this may feel like a small ending, it's actually the beginning of the film. Quickly we are reintroduced to now Sheriff Rick (Vincent Guastaferro) from Jason Lives. He is quickly trying to close the case and cover up what happened. The question I kept asking myself is Why? Why is he trying so hard to keep any information regarding Jason secret? I'm hoping that in a next installment it's something that may be answered. 

Sheriff Rick and his deputy (I think it's his deputy) encounter Tommy Jarvis (Thom Matthews). He's been trying to do whatever it takes to get back to the campgrounds. Tommy knows what's going and still trying to end Jason. 

Sheriff Rick takes Tommy back to the station and goes to inform Diana Hill of her son's disappearance. After going through Mark's things, Rick informs her that he will keep looking and if she hears anything to get hold of him directly. 

What is going on with him? Why is he acting very suspicious? These are questions that after this rewatch that continue to be asked.

Finally, the Deputy is working to close up the crime scene. He gets a glimpse of something and goes to investigate. This sequence is another highlight for me. The way that the body cam is used to cause so much tension, it's fantastic. It kept me on edge the entire time. 

There is another great bit of lore that we uncover in this film regarding Jason and his mother. Vincente brilliantly crafted a sequence where we are given a glimpse into Jason's mindset. And it's there we are able to see Pamela and the little boy from the end of the first film. It's a very powerful moving moment. 

The pacing in the film is great. It never feels like it stutters or stalls. Everything is used for a reason. What those reasons may be? Who knows? May find out in another installment. But it all works together beautifully to create an Act 1 now to Never Hike Alone's Act 2 feeling. 

There is some gore on display. It's never too much and used pretty tastefully. But it's never too in your face with anything. There was a moment where I did find myself cheering. I'll let you guys figure out what it was when you watch it. 

The music. When we think of this franchise, the music is very prominent. It helps establish the tone and feeling. Here, it's been elevated to another level entirely. The first time I heard Ki-Ki-Ki Ma-Ma-Ma it left me with my jaw dropped. It's a character unto itself. Almost an extension of Jason himself with its brutality. 

Overall, I love this film. It took what was established in Never Hike Alone and raises the bar more. It never outstayed it's welcome. And the best part is it left me wanting more. The bits of lore that are established are all welcome additions to this franchise. 

It's sad that while we may never get another theatrical film for a while. But it's okay because Womp Stomp have shown us that fans can create great content too. To the extent where some will consider them to be official additions to this franchise. I cannot wait to see what they do next with this franchise. 

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Thursday, July 29, 2021

He Called Back - It's Me Billy: A Fan Film Review

Black Christmas. It was a film that was originally released in 1974. In the years since, it’s become a bit of a cult hit. In most of the Christmas horror lists I’ve seen, Black Christmas is usually at the top. And for good reason.

Earlier this year, Dave McRae and Bruce Dale unleashed an unofficial sequel to that 1974 classic. At first, I was going to let it pass without a review. Something that try not to do much of. But revisited the thought again when had seen some of the strong recognition it was getting.

Was the film deserving in the high praises it was receiving? Hell yes it was. It channels everything that made the original film so successful. It brought that 70s feel to the modern time.

The film follows on 50 years after the events of the original film. One of the biggest highlights was seeing a definitive ending to the film. We follow the granddaughter of Jess Bradford, Sam and her friends. They were journeying up to her late grandma’s house one last time to spend Christmas there. Unbeknownst to them, there was more to the house than initially thought.

The pacing of this film is fast. It helps that the runtime is roughly 48 minutes. But ever once did I find myself thinking that it was too slow or too fast. It was the perfect pace for the story they wish to tell. There were a few of the techniques that were established in the original that reemerged.

The acting is incredibly top notch. Everybody brought their A game. Each of the girls (Victoria Moreo, Malaika Hennie-Hamadi and Shelby Handley) bring so much depth and relatability to their character. It also helps that there is so much chemistry in their friendships. Dave McRae does an incredible job as the voice of Billy. He is able to channel that character in such a way that I even forgot that this wasn’t an official sequel. And Bryan Charles Peter is great as Billy. He emulates everything that made Billy such an iconic character in that original film.

Before I knew it, the film was over. I was shocked that it had just flown by. This has now entered the same level as Womp Stomp’s Friday series. Keeping and honoring what came before, yet making it their own. And I just wish we get more of it. Especially after that ending.

Would I recommend it? Yes I would recommend it. This is a fantastic love letter and helps illustrate that there is more that could happen with this idea. And it helped raise the bar for fan films like WOMP STOMP did before them.

You can watch It's Me Billy on Youtube

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Inside Never Hike Alone: A Chat with Vincente DiSanti

Hello everyone, a new home means bringing over some of the old content. Here we are with an interview that was published back on September 10, 2018. It was a fun chat with Vincente DiSanti of Womp Stomp Films. 

Today, I had the pleasure of talking with the Writer/Director of Never Hike Alone, Vincente DiSanti.

Matthew: Hi Vincente, thank you for taking the time.

Vincente: Hello, thank you for reaching out.

Matthew: How did Womp Stomp Films begin?

Vincente: Womp Stomp Films began in 2016 as an avenue for me to create my own live-action productions under an official banner. Having an LLC is a great asset to have when tackling live-action productions, especially when dealing with items such as production invoicing and insurance. 

Up until that time I had been using “Womp Stomp” as a personal name on social media accounts that were tied to my film projects. Creating a company based on that name seemed to be the next logical step.
The name actually derives from an old N64 Star Wars game password “wompastompa,” which allowed a player to take control and wreak havoc as one of the Wampa creatures on the Hoth level.

Matthew: What is the origin of Never Hike Alone?

Vincente: I have always been a big fan of Friday the 13th and growing up it was a dream of mine to one day work on a Friday the 13th film.

One day while location scouting in Big Bear California, I happened to stumble upon a set of cabins that gave me the initial idea of a person accidentally discovering the long-lost Crystal Lake and subsequently having to escape from Jason Voorhees.

That idea rattled around in my brain for a few years before I started pursuing it and it wasn’t until we discovered an actual abandoned camp that the project really took off.

Matthew: Did you have to worry about Never Hike Alone being shut down? Even after the campaign on indiegogo. Or was it completely embraced.

Vincente: So far we have been fortunate enough to avoid any issues with the rights holders. I believe that is the case because we have always been very transparent about our intentions, our disconnection to the actual franchise, and how the money was spent to create the project.

When it comes to fan films, especially ones that are crowdfunded, the number one rule in avoiding getting shut down is to run a non-profit production. That means producers cannot use the film to create any sort of revenue or even pay themselves for services rendered for the project. That said, not all properties are alike and other license holders for other films may not be so forgiving.

Even though we have not heard from the license holders, we have heard from several Friday the 13th alumni who have had nothing but kind words to say about the film.

Matthew: How did it feel to be able to bring a new piece of Friday the 13th to the fans when it was much needed?

Vincente: As a fan myself, I was certainly feeling the lack of Friday the 13th in my life.

After following the cancelation of several Friday projects over the years, I knew that Never Hike Alone could at least serve as a valiant effort by our team to somewhat alleviate that drought. The response to the film was a lot more impactful than we originally intended. And it certainly made my team and I proud to know that our efforts were so well received by the fans.

Matthew: Where did the design for Ghost Jason originate? Any inspiration for the physicality of Ghost Jason?

Vincente: We explored several options for this project, but ultimately came to the decision that it was time to try something new. 

From a continuity standpoint, I wanted a Jason that felt like could exist in any timeline of Friday the 13th.

When designing a mask, I went with the theory that all of Jason’s previous masks were destroyed and that he would need to pick a new one from the leftover equipment at the camp. Being that most of the equipment left over would most likely be from the late 50’s / early 60’s.

We wanted a mask that reflected that era and style with the design we all know and love. The decision to lose the chevrons came during the paint process where we decided that a blank look would be the proper style for our film.

The rest of Jason was put together as a hybrid of old and new. Although I have never truly been a fan of any of the previous jacket style designs, I did think that the look could work if given a more simplified look on par with the simple sears work shirt and pants combo from the original films.

When it came to the face, VFX artist Kelsey Berk and I worked together for quite a few months designed a new undead look for Jason. There we wanted to present something in a similar style to part 6 where enough of the face is shown to give the audience an idea of what Jason looks like, while still leaving partial sections of the face draped in shadow to let them fill in the blanks on their own.

The performance of Jason also came out of a hybrid of old and new. To me, Jason is and always has been undead, just with varying levels of decomposition. As his body has taken damage and decomposed over time, it has taken a toll on his agility and speed but certainly not on his mindset. Even though Jason can no longer run, I wanted a bring across the idea of an undead Jason that could still move swiftly when he needed to.

During scenes with more isolated environments and fighting, we wanted to show that Jason still has a very human thought process when it comes to tracking down and attacking his victims.

Matthew: How was it getting to play Jason?
Vincente: Playing Jason was both a dream come true and a major challenge. For most of my life, I have always wanted to put together a serious Jason Voorhees cosplay that felt like it could be out of the films.
However, what I learned from tackling the roll in the film is that the character of Jason is much more than a hockey mask and some tattered clothes. Any time someone takes on the task of performing as a character on screen, even silent ones, a lot of thought has to go into how that character is portrayed.
As a fan of Friday, I have always had my theories on the character of Jason and much of that went into the portrayal I tried to bring to the screen. With that came a lot of time getting into a mental state of the character, understanding his physical strengths and limitations, and then putting all of that into action through a lot of practice and repetition.
Once I felt I had a firm grasp of the character, putting on the costume and getting into character became a transformative experience.
Matthew: How long was production? What was the best day of filming? The worst?
Vincente: Starting with pre-production, Never Hike Alone took about almost 18 months to produce. We started with simple trailers in the spring of 2016 and then moved into production of the film in the fall after we spent the summer set designing our abandoned camp.
After taking a pause for the 2016/2017, we resumed production in April of 2017 and completed principle photography in July 2017.

The worst night on set was in early May of 2017 when temperatures dropped to 27 degrees during the filming of the final confrontation of Kyle and Jason on the front porch of the main cabin. Everyone was freezing cold and we were all pushed to our limits that evening.

The best day of filming was a few weeks later filming the head crush scene in Flagstaff, Arizona. We had a crew of about 8 that drove out to Arizona in a passenger van and we simply had a blast creating that scene. It was one of the few days where everything seemed to work out for us and we were very happy with the final results.

Matthew: How did Thom Mathews become involved?

Vincente: Thom Mathews became involved after he was introduced to our Executive Producer Barry Jay by a mutual friend of theirs. Barry showed Thom our first trailer and asked if he would be interested in a cameo appearance. Thom said yes and met with me a few weeks later to discuss the details.

After pitching the entire film and showing him some new footage, Thom agreed to jump on board and we worked together on how best to bring Tommy Jarvis back into the world of Friday the 13th.

Matthew: How has it been seeing all the positive response to the film? Especially considering some fans have adapted Never Hike Alone into the Friday canon.

Vincente: When approaching the making of a fan film, it’s sort of the default expectation that your project will not be taken very seriously. So, it’s pretty wild and humbling to see some of the responses from fans, especially when the subject of canon comes up. We definitely went into making Never Hike Alone with a tremendous amount of respect for the franchise, the alumni, and its fans. I believe it was that approach that inspired us to exceed the expectations of what a fan film could be.

The most rewarding part of all of this is hearing from fans old and new about how excited they are about the franchise again.

If anything, we hope this shows the studios that Friday the 13th and Jason Voorhees are still very viable in today’s horror market as long as the characters and lore are treated with the proper amount of attention to detail and respect for the fanbase.

Matthew: What was your response to Ghost Jason being in the Killer Puzzle Game?

Vincente: It is very surreal to see Ghost Jason and Kyle McLeod in an officially licensed game. As of today they are still using Ghost Jason as their default avatar for game walk throughs and advertising and it still amazes me every time I see it.
To me, Never Hike Alone was just supposed to be my personal letter to the franchise and the fans and I was just happy to get a chance to make it. It is easy to see that the team over Blue Wizard are huge fans themselves and they did such a great job securing the rights to make a truly wonderful game.

For them to turn around and find a way to include us in something that took them great effort to develop means a lot to me and the entire team. We couldn’t be more proud and humbled.

Matthew: Do you think you’ll return to Crystal Lake with another film?

Vincente: That’s a no brainer. We’re surely going to need Crystal Lake if we’re going to make Never Hike Alone 2.

Matthew: What comes next?

Vincente: There is a lot to look forward too from Womp Stop Films. This coming October 1st we will be releasing a Halloween inspired fan film directed by Rene Rivas titled “The Spirit of Haddonfield” in which I had the honor of playing Michael Myers. We have also been working on several original project that we are hoping to announce very soon.

As far as Never Hike Alone 2 goes, what I can say is that Thom, Andrew, and myself are all on board to continue the story. There are a lot of big obstacles in the way, but we are quietly working behind the scene to chip away things that need to be done in order to make the film a reality.

Check out Never Hike Alone on YouTube! And stay tuned for another chat with Vincente about Never Hike In The Snow and The Ghost Cut!

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Wednesday, July 28, 2021

First Day

Hello everyone, Matthew here. I wanted to take the time to say Thank You. I know it's the first day at our new home here on Blogger. But it's been an amazing one. So far today, We hit more views than I ever received in a single day over at Word Press. 

That shows me that this move was a good one. That will be able to get word out about this blog. And that is so cool. I never could have imagined that there were people that would want to read my thoughts on a film before. But here we are. 

So thank you everyone that made this first day an amazing one. I am so excited to share more Reviews and Retrospectives with you guys.

The schedule for the content drops will be on Mondays, Wednesdays and Fridays. I will try to be dropping them early on in the morning. But if you follow on Facebook and Twitter, you'll know when they drop.

And if this is your first time here, Welcome. Hope that you guys like it here. Feel free to leave comments and suggestions. 

I'll see you guys on Friday! 

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If You Can't Run: CRAWL OR DIE (2014)

Hello everyone, today's review is  an interesting one. This blog has covered some indie films time and time again.

 It's actually something that have begun to start priding myself on. Cause it's a breath of fresh air from time to time to dip away from the mainstream.  Especially because indie films have a charm to them. It may be because they find whatever way possible to help tell the story.

And the other day, my partner had come home from working at our friends farm. They said "We have a movie to watch. I need you to track it down.". 

 I asked what the movie was. And they happily told me that it was called Crawl or Die. At first, I was stumped cause I have heard of some indie films but this was a whole new one for me.

And for me, it's a bit of a big deal to find a new horror indie. It feels like Christmas and getting to open a new present.

I was able to find it on Tubi. It's also available to purchase from Amazon.

Long story short, this begins my review.

 CRAWL OR DIE was released in 2014. It was written and directed by Oklahoma Ward and starring Nicole Alonso.

Synopsis: An elite security team assigned the task of protecting the last known woman who can become pregnant, find themselves caught in an endless claustrophobic underground tunnel system. The team soon learns - the real horror is not the unstoppable force chasing them, but the ever shrinking tunnel itself.

CRAWL OR DIE is what I would consider to be a small film. While some may consider that a knock and instantly detract from it, I view it as a strength.

 It allows the film to just give a small exposition then hit the ground running. If this had been a bit more of a mainstream film, I believe that someone would have suggested more time for exposition and time with characters. But the pace moving at such a speed, allows us to quickly get into our characters shoes. Here's this and this is how it's going - deal with it or just get out. That's how the film feels.

While there are a few characters, the big standout is Tank (played by Nicola Alonso). This is our heroine and she kicks ass.

 The unstoppable force is something in the vein of the Alien xenomorph. It's presence is felt throughout the film. And something that I highly appreciated was that it didn't focus on it too much. It did just enough to not overdo it.

Fun Fact: My partner did have some moments with the film where they were like "How is that possible? It's only this big.".

 I know, it may feel like this review is something that is going rather quickly. It's because I'm trying not to have any spoilers. Because this is a film that needs to be experienced. It is a bit of a rollercoaster.

Oklahoma Ward does a fantastic job directing. The shots that were filmed helped the tone and illustrate the real enemy of the film - the tunnel.

 After viewing the film, I began to look more into things and was happy to hear that there will be a sequel. It had recently had a successful Kickstarter to gather funds for production. Wherever the story goes next, I am all on board the Crawl or Die train.

Rating: 5 out of 5.


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"Something Out There In Those Woods": Evil Dead turns 40


Okay, I found myself thinking about where to begin with this. The more I thought about it, the more I decided that I should share my story of how I was introduced to the wonderful world of Sam Raimi's horror opus. So let's begin shall we...

It was Christmas of 1999 or 2000. I can't exactly recall specifically when. I just know it was around that time. But my family and I had gone to my Grandma's for the holiday. 

It was around 5:30 in the morning. I was up already cause it was Christmas. Back then, it was easy for me to get excited about the holidays. (I didn't know that would be the last Christmas my family would be all together.)

So, we wake up my sister and parents. My Grandma was already awake and had started making pumpkin and pecan pies for the dinner later. So, the living room was full of that wonderful smell. 

We passed out the presents. Every one was ready to start opening. Back then, we would take our time doing this and going one person at a time. That morning, I had already started opening the presents. 

At that point, there were some of us that were ready to go back to sleep (my sister). So that tradition went out the window. 

I made it through the typical Christmas presents - couple of Goosebumps books, shirts, socks. I had my last three presents. Judging by the shape of them, it was easy to see that it was VHS tapes. I opened the first one and it was Robocop. Great film and one I had seen multiple times. The second one was John Carpenter's Halloween. I would no longer need to keep track of when AMC or Sci-Fi were replaying it. The last tape was one that I would never forget.

I peeled the wrapping paper off to uncover a man standing in front of a woman, protecting her from skeleton arms. See the above poster for a good example of that vhs cover for EVIL DEAD.

My Grandma asked me what the movie was. I turned and showed her the cover and immediately she just went "I don't remember getting you that.". My Uncle Scott chimed in, "You didn't. But I helped pick it out for him.". She just gave Scott a bit of a look. I thanked them for the movie and was a bit disappointed that had to wait till got home to watch it. 

Immediately the next day after we got home, My mom and sister asked to watch it with me. We began watching it and about ten minutes in - my sister decided to bow out. Her reasoning was that it was boring. Around the thirty six minute mark, my mom walked out of the living room. I was left alone in the dark of the living room as Cheryl continued to attack Linda's ankle with the pencil. 

It was during that time I realized that this was a different kind of film for me. I had never seen anything like it. It's a film that holds nothing back. It throws everything at you. And then it ends in a bleak manner. 

I sat there with my mouth open. What had I just watched? What was the story behind this? I had so many questions and was sure to see if the internet could answer them. 

In my research then, I learned that Evil Dead was made by Sam Raimi and starred Bruce Campbell. It was an indie film cinderella story almost. I couldn't believe that Bruce Campbell was the same guy that was in Hercules The Legendary Journeys and Xena Warrior Princess. Those were my first introduction to him as an actor. Here, Bruce is just starting out and goes through such a journey. It's incredible and gets better with each viewing. I had seen some of Sam Raimi's films. The most well known at that time was Darkman, which I adored. And then there was the icing on the cake was that they were from Michigan. I tend to have a lot of respect and enjoy a lot of things that end up being Michigan made. 

The story was very simplistic. Friends go to cabin in the woods. They discover a book, a dagger, and recording. Evil is unleashed. Survive till dawn. That's roughly the cliff notes version in a sense. 

But what made Evil Dead so much different was it's characters. Ash (Bruce Campbell), the naive everyman that goes through the ringer to become a hero. Scotty (Richard DeManincor) was the jokester or the jock. He never took things too seriously. He was quick to make people laugh or in Cheryl's case make them hate him. Cheryl (Ellen Sandweiss) is Ash's sister. She felt like she didn't belong there. That she was only there cause her brother was there. It's because of this small bit of doubt that Cheryl possessed that led to her being the first to encounter the Evil. Then there is Linda (Betsy Baker). Linda is Ash's girlfriend. She's there to be the love interest and help motivate Ash into stepping up. These are all of the characters that when one thinks of The Evil Dead, they spring to mind. Honestly, these are immediately who jumps to my mind. Unfortunately we still have Shelly (Theresa Tilly). This is Scott's girlfriend. This is the character that I felt suffered in the film the most. Because she isn't given a lot to do outside of Scotty or being possessed. It's very much a one note character. 

The gore in this film is fantastic. Yes, it's over the top. However, it doesn't reach the levels of over the topness that the sequel reached. This one its very much more grounded. Or it is used in a more cerebral ways (Ash's second trip down to the basement). The biggest standout in terms of the effects in the first Evil Dead is the finale. Ash is there surrounded by the possessed remnants of his friends. He throws the book into the fire. It unleashes an amazing display of stop motion as we witness things decompose. The colors are vibrant in this sequence.

Then the film ends not with a whimper but a scream. The Evil slamming through the cabin as it tries to find Ash. Through this sequence, I found myself thinking of Halloween's ending in a sense. It quickly summed up the events of the film as we are shown the different pieces of the cabin. No matter what Ash did, the force would get him. It's very bleak for an ending. Thankfully we would get more a few years later in Evil Dead II.

With this film, Raimi was able to showcase his filmmaking skills. One of the most well known examples being that a camera was attached to a 2x4 and slammed through the back window and windshield of the Oldsmobile. This POV easily became a Raimi trademark as it was used in subsequent films. Another of Raimi's trademarks were the smash zooms. In this film, I don't remember it used all that much yet. But it'd go on to become a language of this franchise. 

It's easy to see why Evil Dead has stayed over the years. And to many more years as well...

Rating: 5 out of 5. 


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Witness the Beginning and End - Fear Street:1666

This July has been special. One that will be for the books. Leigh Janiak and Netflix have delivered a story that is so great and massive that it couldn’t be told with just one film. No, Netflix understood the audience they would have and already built in audience to let Leigh Janiak craft a sprawling epic filmed in Lord of the Rings style – all in the course of a few months. And it has paid off in spades.


With the ending of 1978, I was not sure where the story was going to go next. Yes, we were going to see the origin of the curse and Sarah Fier. But beyond that, it was wide open to what the story would be. That has been one of the strongest points of Fear Street, the cliffhanger endings.

We open after the recap in 1666 with a look at Sarah Fier and life in Union as she went about her business. It was interesting seeing all of the returning cast in a different yet familiar role as they now were portraying the Union townsfolk. And if this is their ancestors, it adds even more layers to the tragic events that had proceeded in the previous films.

The story is very ominious and tense. As a viewer, we already know how Sarah’s story plays out. It’s a story of a witch and a witch hunt. But they beautifully take all of our expectations and twists it in a massively unexpected way.

Then as the screen crashes to black, we are treated to one of the biggest surprises in this film. A new title card flashes and introduces the next segment of the film – Fear Street 1994 Part 2. I figured that we would see the present time return, but the way it is handled is beautifully.

I understand that many people could spoil what’s going on in the film. But this should not be spoiled. It’s such a large event that should be experienced. As such, I will not go any further into details.

With this trilogy of films, Janiak and Netflix have crafted a beautiful story. A story that is unrelenting and inclusive. The characters in these films would easily be side characters in other films. But here, they are treated with so much respect. And it shows how far we have come since the days of 90s horror.

This film alone could have crumpled under everything that came before it. But it doesn’t. It takes everything that we have seen and asks you to reconsider your thoughts on it. To look at things through a different perspective. Then it builds on the strengths of each piece of the story. And what’s left is a satisfying conclusion.

The Fear Street trilogy will be remembered fondly. They brought new things to the horror genre. Especially the way that films are made. It wouldn’t surprise me if Netflix sees the success and continues to venture further onto FEAR Street. While one story closes, there are many more that can be told. And I for one hope that we see this expanded into an anthology series.

Rating: 5 out of 5. This film lands the hat trick for this fantastic series. Highly recommended.

*Thanks to Netflix and Daily Dead for screener*

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Fier Strikes Again - Fear Street:1978

If 1994 was everything in that bizarre mashup, 1978 is still very much Blair Witch but now its met Friday the 13th/Sleepaway Camp meets Goosebumps. (The reason why say Blair Witch-ish is because of the through line with our resident witch, Sarah Fier.) This film is once again brilliantly handled by Leigh Janiak. They make no mistake with showcasing that this is the second part in our story. This way of presenting the story feels very new. Yeah, this isn’t the first time that we have been presented with a trilogy. But, with this format that Netflix presents, it’s a happy medium between film and television. And quickly, we are thrown back into the present day story of Deena and Josh’s journey and meeting C. Berman.

After our characters meet Berman, we are introduced to our new cast at Camp Nightwing in 1978. Sadie Sink and Emily Rudd are our Berman sisters. Both actresses do a fantastic job in this film with their performances. It led to the point where I personally wanted to see both of them make it to the end of the story, but as 1994 had previously stated – only one would make it to the end. For me, part of the big point was seeing which sister it was going to be and caring about both of them. Brandon Spink and Ted Sutherland also did a great job with presenting a new side to the characters that we know to be Mayor Goode and Sheriff Goode. That is definitely one of the stronger points of this film is seeing the Goode family history being explored a bit more. And something that I’m sure that we will be seeing with the upcoming Fear Street: 1666. McCabe Slye delivers an outstanding performance tho. One that literally had me wanting to see more of Tommy Slater. His performance had a very tragic aura to it as we see exactly how Sarah Fier works her ways.

Once again, Fear Streets delivers in the music department. It presents a greatest hits of the era. And one that had me smiling once again. But as great as it is hearing ‘Carry On My Wayward Son’, the film’s orchestral score is where its at. It channels that ‘Friday the 13th’ feel in such a good way that I, for one, have been missing.

The continuity of this film and this series so far has been outstanding. Everything plays out like a beautiful puzzle as I pieced together things that were presented in 1994 and seeing how they played out in 1978. Or seeing one character in 1994 and how they connect to the overall story as we are reintroduced to her in 1978. I am hoping that we will see more of this in 1666. And I am almost certain that we will. The lore of Sarah Fier and Fear Streets is brought to another level in this film as well. Things that were introduced in 1994 are expanded or twisted into something that I never could have seen coming. And there was also a small ‘Stranger Things’ vibe to this installment. Especially because of one particular thing that happens.

While talking with my partner after the film had ended, a big highlight for us was the way the horror was presented. It was presented very tastefully. There have been other films that will show anything and everything that happens to a character. But here, its very refreshing as we are brought back to the filmmaking ways of old where glimpses are shown or the aftermath of events would be shown offscreen. This is a brilliant way that helps differentiate this series from many in this modern era of horror.

As the film came to a close, I was literally on the floor once again. The film just took everything that I thought was going to happen and turned it on its head. Ultimately leaving me wanting to know what was going to happen next. My partner also looked at me and was like ‘So we’re gonna be able to watch it tomorrow right?’. I sadly had to break the news that it was going to be a few days before could see the conclusion to the story. And that is a great testament to what this series has been doing so far. Delivering everything that could wish for and then leaving wanting more.

At the end of the day, I hope that when these films finish this particular story. They are able to do more with Fear Street. Tell more stories and turn it into an anthology series. There is a lot that can be done with this. And it’ll be fantastic to see what they deliver next.

RATING: 5 out of 5. It continues to blow away the expectations in such a fantastic way.

Fear Street Part One: 1994 and Fear Street Part Two: 1978 now available to stream on Netflix.

*Screener was provided by Netflix with the help of DailyDead’s Fear Street Contest.


FEAR STREET | A Film Trilogy Event Credit: Netflix
Sypnosis:

Shadyside, 1978. School’s out for summer and the activities at Camp Nightwing are about to begin. But when another Shadysider is possessed with the urge to kill, the fun in the sun becomes a gruesome fight for survival.

Fear Street 1978 starring Sadie Sink, Emily Rudd and Ryan Simpkins. Directed by Leigh Janiak. Screenplay by Zak Olkewicz and Leigh Janiak. Story by Phil Graziadel.

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Welcome to Shadyside - Fear Street:1994

In the 90s, R.L. Stine was known mostly for his Goosebumps books. Yeah, there were some other books that he had done. But I knew mostly Goosebumps. And man, I am a bit sad that hadn’t dived into the Fear Street novels during those days.

In 2015, R.L. Stine had a resurgence due to the success of the Goosebumps film. Which I’ll admit that I even found something to enjoy from it. But I wished that it was a bit darker.

My wish was granted with Netflix’s summer event – Fear Street.

The first chapter in this trilogy Fear Street Part 1: 1994 landed this past Friday on the streaming giant.

This film is something special. It is honestly the first fun film that I have watched in a very long time. It’s a callback to the 90s films of old that were fun. They didn’t care to take themselves too seriously. They were there to entertain and give us characters we can relate to and care about.

1994 gives us characters to care about in spades. Each of the performances in the film just oozes 90s love. One of the strongest characters in the film is Josh (played by Benjamin Flores Jr.). He has so much heart. I found myself rooting for Josh so much throughout the film. Deena (Kiana Madeira) and Sam (Olivia Scott Welch) were the next standouts. The story between them is one that had me deeply invested in what would happen with them.

The score and music used in the film was great. It helped the 90s nostalgia train a running as it felt like a greatest hits soundtrack. It was also great hearing Marco Beltrami score again.

This film is a gem. It encapsulates everything that was great about 90s horror. All of the references and easter eggs are a complete love letter to the genre. And it leaves me wanting to see what happens in the next chapter – FEAR STREET Part 2: 1978.

Rating: 5 out of 5.

It was directed by Leigh Janiak and starring Kiana Madeira, Olivia Scott Welch, Benjamin Flores Jr., Julia Rehwald and Maya Hawke.

Synopsis: A circle of teenage friends accidentally encounter the ancient evil responsible for a series of brutal murders that have plagued their town for over 300 years. Welcome to Shadyside.



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This Land is Their Land: Wrong Turn (2021)

Late last year, I remember that we had received word that another Wrong Turn movie was gearing up to be made. With six films already, many wondered where the story could go. Especially if there were going to still be deformed cannibals. However, we weren’t expecting the direction the film would go.

Abandoning everything that had come before and starting fresh, Alan B. McElroy returns to the franchise he started to write a new tale with Mike P. Nelson directing. And what a story this film tells. It’s one that I kept wondering where things were going to go next. Everything was always two steps ahead of me – it seemed. Just like The Foundation that is featured.

‘Friends hiking the Appalachian Trail are confronted by ‘The Foundation’, a community of people who have lived in the mountains for hundreds of years.’

How does this film compare to the original? In many ways, these films are so different. They take the basic concept of what a Wrong Turn movie is and go onto different ends of the spectrum. This feels like the next evolution of what we should be looking for in this franchise. And while I love the original, the performances of the cast (Everybody) and strength of this story help make this my favorite entry in the franchise.

Am I going to go into detail regarding the story? No, I will not be diving into story details. This is a film where it’s okay to not have spoilers. To just go on this strong journey with the characters and experience things as they happen. It’s pure cinema. And trust me, there are many layers in this journey. 

The way the story is structured is different. It starts and introduces our cast of characters. Charlotte Vega as Jen and Adain Bradley as Darius being the two standouts of this first group. Not saying that everybody else is bad, just these two are our focal points and heart in Storyline A. Then the film proceeds to flash forward to Storyline B as we meet Jen’s father played by Matthew Modine. The film then proceeds to interweave these storylines and progress in ways that I never saw coming.

The gore in this film is vastly different than the original as well. Actually it’s vastly different than anything I’ve seen before. It’s brutal at times. It’s unforgiving. It’s grounded in a good sense of realism. There is a darkness to it. It’s not something to be celebrated. It’s something to be feared. This is something that I appreciated so much. It treated the gore in a way that I haven’t seen before.

The music in this was very low key. It was subtle. It never over presented itself. It helped add to the tension in the film, especially as we learn more about The Foundation. It worked beautifully.

Overall, I highly recommend Wrong Turn ’21. Go into it with an open mind. Let yourself go on the journey with these characters. And you may find yourself enjoying it a lot. If go into it expecting the typical Wrong Turn film, you will be disappointed.

Rating: 4.5 out of 5. Such a unique and refreshing new take with this franchise. I hope that we are able to see more.

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Venturing Into The Unknown: Jason X turns 20!

After Jason took Manhattan, the Friday the 13th franchise was sent over to New Line Cinema. It was there that Jason went to hell at the end of the previous film. But there were still room in the gas tank if you were.

Sean Cunningham was working hard on trying to develop the infamous Freddy vs Jason. But he knew that New Line needed to make a film to keep Jason relevant and in the public’s mind. He had a meeting asking for different pitches with Noel Cunningham, Jim Isaacs and Todd Farmer. (Yes, the same Todd Farmer from My Bloody Valentine 3D, Drive Angry and TRICK)

They had discussed every incarnation on what the next film should be. Jason in Antarctica was mentioned along with Jason in the snow. (How cool is idea of Jason in the Snow? That idea would eventually come to fruition in Womp Stomp’s Never Hike In The Snow) Ultimately, they decided upon Jason in Space.

It seems like a natural evolution on where to throw the character as he had been on a boat and to hell by now. Plus he was literally stuck in hell. Setting in the future would free up how to explain that. (Also Freddy Vs Jason does a good job of explaining that.)

By now, there have been a few other franchises that had taken their characters to space. We had seen Leprechaun and Pinhead in Space. Looking upon those films, it feels unnatural for them to ever being taken to space. But then again, Leprechaun is a very bombastic character that can go anywhere. But ultimately both these had left the horror community thinking that this where horror goes to jump the shark.

With their idea ready to go, filming had commenced and completed in 2000. The film was in the can. It was ready to go. However, with the changing of the head of NEW LINE CINEMA, the project would sit in stasis for a year. The irony isn’t loss as Jason experiences the same thing.

When it was released, Jason X took a lot of hits from the community. A lot. ‘How could you send him to space?’ ‘This goes against everything in a Friday film.’ It also had been pirated a lot on the internet. It was a difficult time for our favorite Camp Slasher.

I first discovered Jason X when it was released on DVD. My family had just gotten a DVD player and I had seen it sitting on the shelf at the local Walmart. I purchased it with my monthly allowance that I had saved up. This would be my first experience with a Jason film.

I loved the film. It was different from what I had heard about the other films. I was also very intrigued with how it was made. CGI then was still something that was in it’s infancy. (Though, it would start coming into it’s own more with Lord of the Rings later in 2001.) But it was cool seeing the spaceships. Yes, the acting in the film is on a cheese scale. But that’s the point. Jim Isaacs and Todd Farmer knew exactly what they were creating – it’s a fun experience. Plus, Kane Hodder delivers two great performances in the film – Jason and Uber Jason.

Uber Jason is something that is always a hard topic to talk about. Some fans had felt that it went too far. It had taken their great slasher and moved into a place they couldn’t go. I think that idea of Uber Jason is great. His design is a bit sleek as well with his mask. The rest of the costume could have been a little sleeker. But ultimately he still is a threat.

One of the standout sequences in the film to me is the virtual reality return to Crystal Lake. This sequence is a lot of fun. It amplifies the cheese and presents a play on what fans expected. Especially because Uber Jason is presented with the two counselors. The best part is we get to see Kane revisit the sleeping bag kill – using both counselors to kill each other.

I love Jason X. It’s a unique entry in the series. That’s something I can also say for Jason Goes to Hell. That’s probably why I love it. It doesn’t take itself seriously. It wants to deliver a fun ride, which it does in spades. I think it holds up very well 20 years later. The only thing I wish would have happened is if we could have seen where the story would have gone next. Instead, we went back to the camp with Freddy Vs Jason and Friday the 13th (2009).

Rating: 4 out of 5. Fun ride.

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A Whole New Hell: Revisiting Jason Goes to Hell

When New Line Cinema acquired Jason in 1993, they were told they couldn’t use the title Friday the 13th. That’s a weird concept to think considering that they are synonymous with one another. And easily one that could happen once again depending on the outcome of the legal battle.

Without the title of Friday of the 13th, Sean Cunningham enlisted Adam Marcus, Jay Hughuely and Dean Lorey to figure out where the story could go. I must say where they took the story led it to be one of my favorites of the franchise.

They decided that it was time to unshackle the story from all of the previous tropes. Quickly within the opening of the film, the tropes are shown then shattered. This resulted in everything feeling fresh. Boom! Jason is exploded and ultimately killed. And this was within the first ten minutes of the film.

Quickly, Marcus establishes that there’s more going on with our Jason. Throughout the film, we uncover the secrets behind the Voorhees legacy as it is a beautiful explanation to Jason’s continuous resurrections in the series. Pamela Voorhees had sought out the Necronomicon and Kandarian Dagger to bring her son back. I. E. – Jason is a deadite.

This realization forever changed how I felt about the franchise. It changed my outlook on everything. The more I thought about it I appreciated everything that this film and Adam Marcus was setting up. This beautifully tied and introduced Evil Dead to a NEW LINE CINEMA verse that was being established. (Later on, I even discovered that those are the actual props from Army of Darkness.)

Now, there are many that are quick to say Jason isn’t in the film. Yes, he is. He’s just not in the way everyone was expecting. This allowed a huge tension as now Jason could possess different characters. So, he could be anywhere. Could be anyone. This was so terrifying a thought.

But you know what – Pamela Voorhees would go to whatever lengths she had to if she could bring her son back. That is 100 percent accurate to the character. So it is a wonderful progression.

Another fantastic character that was introduced is Creighton Duke (played by Steven Williams). Duke is to Jason what Dr. Loomis is to Michael Myers. It makes sense that someone would eventually come after Jason. No better a choice than introducing a bounty hunter. And Williams performance is unforgettable. He gleefully plays the character and adds so much to Duke. (Best part is that Williams would go on to play a hunter in Supernatural.)

We are also given a more human story with Steven Freeman (John D. LeMay) wanting to protect his ex girlfriend Jessica Kimble (Kari Keegan) and child from Jason. This is something that is different than the usual camp fare of the other films. But there is depth and relatability to it.

Ultimately, this results in an amazing journey and fantastic ending. Steven has to go toe to toe with the reborn Jason. And results in Jason being dragged to hell – leaving his mask on the dirt.

I know this is a very cliff notes version of a sypnosis. But it’s all the non spoiler parts. This film is great. It always leaves me discovering something new. It’s full of action, has some creepy moments, and is tense when necessary. But it’s a fun ride. Give this film a shot. Watch with an open mind. You may end up enjoying it.

Plus you get to see Freddy’s glove as it pulls Jason’s mask down into the depths of hell. How cool is that?

Rating: 4 out of 5.

Update: This article has been approved by Adam Marcus. The positive response was something more than I ever could have imagined. He also had some wonderful words to say about it.

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A New Game Begins - SPIRAL: From The Book of Saw

In 2004, James Wan and Leigh Whannell delivered a film that was special with the first Saw. It defied expectations with its twists and turns. And culminating in that iconic end scene that we love so much with “Hello Zepp” playing.
Darren Lynn Bousman than jumped aboard the Saw train and delivering the next three films. For me, they are some of my favorites of the franchise. Especially with the interconnected storylines that flow throughout them. They all are completely solid. And in the case of II, it upped the game.

After Bousman left, the kinetic energy that he provided started to waver. For some fans, they started to see the films as cookie cutters. Just with a new design of traps. And some traps may have felt a little simple or they harkened back to a previous trap.

When I heard that Chris Rock would be joining the franchise with Bousman returning to direct, I was a little flabbergasted. I was very unsure of what to expect. Chris Rock is best known as being a funny man. What could he bring to a Saw film?

As more news of Rock’s involvement spread, we learned that he had a hand in pitching the idea for the film. I was a bit shook. I took a deep breath and wanting to take the film with an open mind.

Then the word came of Josh Stolberg and Pete Goldfinger returning to write the film. They had previously written Jigsaw. Many people have had quite a few bad things to say about that film. However, I enjoyed it a lot. Yeah, it felt in line with the previous films. But it just had a bit of a distinct feel to it.

I watched the first trailer and my excitement for this franchise began to renew. I understand now how the people growing up with Elm Street and Friday the 13th felt because this is how Saw was for me.

And then the news came of Samuel L. Jackson being involved in the film. This was something I never expected in a million years. But it also helps illustrate that this isn’t your typical Saw film. This is something different. Something special.

And then the pandemic happened throwing the release date in disarray. Goodbye October release that Saw is known for. But in the back of my mind, I was okay with it.

After waiting so long, I finally had the chance to sit down and watch Spiral. Everybody that worked on this film delivered in my opinion.

The main summary of the film goes like this “A criminal mastermind unleashes a twisted form of Justice.”. That’s roughly a good summary of the film. It’s vague. Ultimately that sounds like a summary for one of the other films.

This is different. I have seen a lot of bad reviews towards Spiral. I personally think it’s because it is different. It is an evolution for the franchise. A necessary one.

And the film immediately sets the tone that this is a different type of Saw film with its opening. The opening is very brutal. It left me with my mouth open in shock. Then a smile came to my face. I had the feeling that this was going to be something new. It was a similar feeling I had with all of the Bousman-led Saw films. And it just took me back to seeing Saw II at the theater with my Dad on opening day.

After the opening, we are quickly introduced to Zeke (Chris Rock). He butts heads with his Captain – Angie (Marisol Nichols), who assigns him a partner, William (Max Minghella). William and Zeke uncover that this new Jigsaw copycat is targeting crooked police officers. And Zeke’s father, Marcus (Samuel L. Jackson) checks on his son.

Immediately, I thought back over the past year to everything that happened that was Police related. It helped the film hit differently for me. And also added a different feel. Yeah, we seen other cops in Saw films – but they weren’t specifically targeted. Largely, they would get in the way (exception being Detective Matthews). This felt like a very topical film now than may have hit back in October.

The acting in this film is incredible. It elevates the film to a new standard. Everyone is literally on their A-game. It was difficult for me to find fault with anyone’s performance in this film. They were their characters. And that helped create a living breathing world. Something that in the later Saw films had a hard time with.

Chris Rock’s performance is incredible. I was expecting something with a bit of humor. I wasn’t ready for Chris Rock as a hardened character. Zeke’s been through a lot. It’s something I haven’t seen before from him. I hope that we continue to see more of these performances from him.

Samuel L. Jackson does a great job as Marcus. The chemistry between them is very strong and I could buy them as father and son. This was not the ham Samuel L. Jackson (example: Snakes on a Plane). He is a caring father that will do whatever he can to help his son.

Marisol Nichols did a great job as Angie. She had a very strong presence and it’s easy to see why Zeke looks up to her. It’s about the amount of respect that they have for one another. And that’s on a level that she had with Marcus.

As for Max Minghella, I have seen some of his other performances. (Great example being the movie Horns. If haven’t seen it, I recommend it.) He always delivers a solid performance. In this film, it is lifted up to another level. He is able to be relatable and leaving you wanting to know more about his character. He also does well with delivering a strong presence as well.

The tone for this film is different than the previous Saw films. Well, the more I think about it, it does feel in tone with the original Saw. Which is that grunge Se7en feeling. It feels like a solid return.

The pacing is also fantastic. It didn’t feel like it was a slow burn. It sets up things quickly then just dives off in a very good way. It never left me wishing the film would hurry up and be over.

The traps and gore. It wouldn’t be a Saw film without those. While they are included, they do feel a little toned down. I don’t mean Oh no, they suck. Each of the traps in this film are definitely new and unique. And they greatly reflect that this an evolution. And that’s also because of ‘Jigsaw’ in this film.

It’s not John Kramer. Sorry if I spoiled it. This is someone who has a good reason for doing what they do. I’m not going to spoil it for those who haven’t seen it yet. When it was revealed the who, I was excited. Literally am still excited to see if there is a Spiral sequel, if the threads left in this will continue. I hope so. And I would love to see more of this ‘Jigsaw’ explored. Because it feels like it’s only just a small bit of what makes them tick. And that is fascinating.

*Side Note: The voice in the videos didn’t bother me. I know we are used to Tobin Bell’s voice. But again, this ain’t John Kramer. It was refreshing to hear something different.

Also “Mr. Snuggles” is awesome in a super creepy way. It’s cool that they used something unique than just not having or reusing Billy.*

Darren Lynn Bousman did an amazing job with this film. It was fun seeing the callbacks in terms of the kinetic energy from those early films.

Everything in this film worked to create a very special film. I easily put this film alongside the original Saw. It had me guessing what was going to happen next. Nine times out of ten, I wasn’t prepared for what was going to happen next. It left me wanting to know what could happen next. And I hope that we do get a sequel that picks up the threads.

Rating: 5 out of 5.

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Welcome to the New Age!

Hello everyone, my name is Matthew Steele. This is my wonderful horror blog - BlazinBlue's Horror Review. This has been running since 2018 with my first film I reviewed - Weird Fiction. 

It's been a few years. I've had some ups and downs. The most important thing has been learning. Learning what my limit was. Learning how to adapt and roll with the punches. Learning how to use my words as well. 

When I first started, I thought 'Okay. I'm finally doing this.' I have wanted to write about films and such for so long. I just wasn't confident about it yet. But I decided to bite the bullet and just do it. Cause only live once and might as well try it. Instead of just leaving it alone and wondering what if.

I was using WordPress for it originally. However as time has gone on, the blog has outgrew WordPress. WordPress was beginning to become more difficult to use as it would lose my writing. Which is definitely something that I cannot afford to have happen. 

Therefore, here I am - now available on Blogger. I am hoping that I can continue to build a reader base and a wonderful community. 

Now I will be spending some time to carry over the essential pieces from the old blog. So welcome to the reanimating of BlazinBlue's Horror Review and happy to have you here on the ground floor! 

- Matthew Steele

Welcome to My Nightmare: A Review of Dylan's New Nightmare

Hello all, it feels so good to be able to bring you a new review. A lot of things have happened during the hiatus. The biggest t...