Monday, September 6, 2021

31 on 31 for Halloween Day 8: The Purge Anarchy

The Purge Anarchy

When The Purge: Anarchy was released I fell in love with it, it opened up the world that was established in the first film. Now we were witness to Purge Night in the city – whereas we were just in the Burbs before.

This film is like a rollercoaster. Each of the different storylines weave wonderfully till they collide. My personal favorite of those storylines is Frank Grillo’s Leo. It is such a dark story but Grillo brings such heart to it. He is also a one man army. Almost like The Purge’s version of The Punisher. Except for he’s even more of a reluctant hero than Frank Castle.

It was also nice seeing the ‘family’ that is created by Purge Night with Leo and the two sisters.

The action is a bit more heavy than the previous film. Actually Anarchy steps it up in terms of all aspects. Which is why it does work well.

It was also interesting seeing Edwin Hodges character from The Purge return in a more direct role as a resistance fighter.

Rating: 5 out of 5.

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Tiny Terrors Day 13: Curse of Chucky & Cult of Chucky

 
   Welcome back to Tiny Terrors! We are almost at the end, my friends. Three franchises. Twenty Five films after I trimmed some of the worst films from two of those franchises. This was honestly a massive undertaking. When I first thought about it, I hadn't realize how big a deal it was. But it definitely has been one. There was a moment or two where I started to question if I was absolutely mad to attempt this. I am super glad that I did this. I got to learn my style of writing from this. Yeah, I have done a few other pieces here and there. But for the most part, this helped craft my writing style. It also helped me prove to myself that I can do this. That has definitely been my largest hurdle this time around. If you have been here since the beginning of Tiny Terrors, thank you. If you have jumped on along for the ride, thank you. I truly appreciate this. Some people may have started wondering what the next retrospective could be. Honestly, I have no idea and that's part of the fun. If you guys have any suggestions, I would love to hear them. Reach out on Facebook, Twitter or even comment on here. So join me as we enter this final week of Tiny Terrors. Three franchises. 5 films left. Let's stick the landing, shall we? 

    Seed of Chucky. A film that left the franchise shook to the core. A film that was a bit divisive back then. A film that left fans wondering what could you do next with Chucky. Chucky is definitely a character that has been through the ringer. We grew with him throughout the franchise so far. We saw his origin in the original film and him coming to terms with who he is throughout Child's Play 2 and 3. He found love and fell out of love in Bride of Chucky. Seed of Chucky presented a whole new layer as he was now a family man. It is such a bizarre through-line when you think about it. What's next? 
   
    Curse of Chucky was released in 2013. It was released straight to DVD, Blu Ray, and on Digital. Once again, it was written and directed by Don Mancini. Don Mancini is the voice of this franchise. So, it's been really cool to see where he took things Post Seed of Chucky. 

    Curse of Chucky originally was pitched to fans as being a breath of fresh air for the franchise. The first trailer and such even went as far to show a Chucky that did not bear the marks of the previous films. Gone was the infamous markings that were introduced in Bride of Chucky. The horror aspects were brought back to the forefront. It felt like a new beginning. And in a brilliant move, it was.

    After the events of Seed of Chucky, Nica, a young woman forced to a wheelchair since birth, has to regroup her sister, Barb and her brother-in-law, Ian for a funeral after the death of her mother. While dealing with Barb, Ian, along with their 5-year-old daughter, Alice; Nica receives an odd package - a creepy doll. After people start showing up dead, the fearless Nica soon suspects that the creepy doll is much more than just a doll.

    The story in this film is so simple. It's absolutely brilliant. It is very much a back to basics approach. And that's why it works so so well. Nica is a very likeable character. This is definitely what helps the film succeed as it does hinder on Nica. She's wonderfully played by Fiona Dourif. There is such a vulnerability that she is able to portray and bring to the character. It's so captivating to watch. And yes, she is the daughter of Brad Dourif. However, she is an absolutely wonderful actress in her own right. 

Next up, we have Barb (Danielle Bisutti) and her family - Ian (Brennan Elliott) , Alice (Summer H. Howell) and their live-in nanny, Jill (Maitland McConnell). All of the actors and actresses do a wonderful job. It's also interesting to see how they interact as a family unit. It's safe to say that one will wonder why Ian is a bit daft. He's very full of himself and is a bit of a douche. One kinda will find themselves rooting for him to meet his maker. He also seems to have a very presence that he tries lord over his wife, Barb. Also a kinda brilliant twist is that Jill has been having a relationship with Barb. This is definitely interesting as it does spin the typical nanny trope in a more realistic way. And then there's Alice. Alice is a sweet child that we tend to not want to see harm come to her. 

The film is very atmospheric. It's super cool that the film ultimately is presented and shot in a way that reminds me of a haunted house type film. Especially with how the shadows are utilized so well. One of the most suspenseful sequences in the film is what I like to call - the Poison Roulette. It's family dinner time and Father Frank (A. Martinez) joins for dinner. They are having a soup of some sorts. However, it's established that Chucky had dropped poison in one of the bowls. So this whole sequence is very tense as try to figure out which character had the bad soup. Unfortunately, it leads to Father Frank's downfall as he has an accident on his way home. 

The kills in this film are pretty solid. Compared to previous two films, it's a huge step up. Especially considering that this is a return to more horror roots. Each one is a bit memorable. I think the one that stands out the most is the death of Jill. She's trying to look into articles about Charles Lee Ray and ultimately is fried as Chucky knocks water onto the power cord. 

Overall this is a fantastic return to form for Chucky. Curse of Chucky was a welcome breath of fresh air as it took things more serious. The best part was seeing the rug pulled out from under us as Nica uncovers the fake skin that were covering the marks on Chucky's face. This was such a cool way to hide the fact from audiences that this was a sequel. It's also interesting that there was a small retcon by tying Nica's family to Charles Lee Ray. And actually does add a bit more flavor to the backstory of Charles Lee Ray that we know. 

Oh yeah, there is also an interesting post credits scene. It shows a package being sent to a grown up Andy Barclay (Alex Vincent). He unpackages it and is one step ahead of everything as he finds Chucky is inside it. 

Rating: 5 out of 5. 

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If Curse of Chucky was a solid haunted house flick, Cult of Chucky is just Chucky meets One Flew Over The Cuckoo's Nest. That is completely evident as it picks up where the previous film left off.

Nica has been sent to an asylum for her mental health. Nobody believes her story that Chucky is real. Nobody cares to believe that it could even remotely be possible. The only person that she blames is herself for her family's death. The doctor in the asylum brings a Good Guy doll into the asylum. Soon, grisly deaths begin to occur to the other patients. Nica has to uncover what is going on. But she begins to learn that Chucky is real and he's learned some new tricks. He's now able to pass on and possess others with his wickedness. Andy's on the outside and trying to figure out a way of stopping Chucky and discovers Tiffany is also back in the mix. 

Actually an interesting comparison to this would be it has a hint of Dream Warriors thrown in the mix. Each of the other patients have their own distinct personalities. However, their names escape me and are not that memorable. There's one patient that Nica has an 'encounter' with that believes he's possessed by other serial killers - one being Charles Lee Ray. Then there was another one that always carried a doll around. 

Once again Don Mancini has created a film with a simple story. It also moves at a decent pace. The one issue is the cutting between the outside story (Andy's story) and inside the asylum (Nica's story). It feels like we don't get enough of Alex Vincent as Andy. And personally that's a bit of a shame. We also don't get much of an explanation for why Tiffany is back. In Seed, she had died before she succeeded in passing her soul to Jennifer Tilly. It's also not explained very well just how Chucky came to discover his ability of possessing more than one Good Guy doll. Or that he's able to transfer himself to another body. It may be something that is explained in the commentary, I'll have to check it out. 

For the most part, the kills are pretty interesting in the film. It's relatively slasher fare. However, there is one death that is the most memorable out of all of them. There is a patient that is strapped to a gurney in the middle of the room. Chucky manages to throw a small compressed air tank at the skylight. It smashes and the shards of glass decapitates the patient. Now thinking about it, it's a pretty cool homage to Bride of Chucky. There's a bit of gore. 

Overall, this was a decent film. It does feel a small step down compared to Curse of Chucky. If they had done a better job explaining the soul splitting, it may have made the concept better. But it is a small interesting idea. The big takeaway from this film though is that it finally goes to absolutely bonkers territory. This is the film where Chucky finally wins. He's able to transfer his soul into Nica's body and able to get away with Tiffany. Poor Andy however is left in the Asylum. And there is a Tiffany doll once again that is sharing a piece of Tiffany's soul. It's absolutely bonkers. And it'll be interesting to see where they take this into the upcoming Chucky tv series. 

Rating: 3.5 out of 5. 

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Sunday, September 5, 2021

He's The Whole Damn Hive: Candyman (2021)

It feels like it's been a long road for Nia DaCosta's Candyman. It was early last year when the first trailer dropped. It had the inclusion of a new take on "Say My Name" that just brought a strong presence to things. I was pumped and ready to go. Then COVID hit and lockdown, it just hyped the film for me. It led to this becoming my most anticipated film of this year. More than even Halloween Kills. 

Now, I'm only going to do this once. This review will have SPOILERS. If you have not seen the film, go see it and return to read the rest after. 


Okay, last warning. 


Alright say it with me. And if you want to back out, now's your chance. 


Candyman.
Candyman.
Candyman. 
Candyman. 
Candyman.

Nia DaCosta's Candyman is a completely different beast of a film than I was expecting. Typically, I would give the sypnosis of the film and then dive into the details. However, with this one I'm going to just dive deep into things and talk about the story as it goes along. 

We open with a young boy telling a story with his shadow puppets. It's about a man that encounters a few police and then is chased by them. This was something that looking back at the film was a bit of foreshadowing. That's definitely one of the biggest highlights of NiaDacosta's Candyman - the many layers of the film. The young boy is told by his mother to go and take care of the laundry. He does as he's told and we are able to see Cabrini-Green in the early 70s. And the police are looking for a man named Sherman Fields. Now, Sherman Fields is a man that has a hook for a hand. He's been seen passing candies around to the children that live in the area. But rest assured, there are candies that are found with razor blades in them. Immediately the police jump to it being Sherman Fields. The big reason probably it being an easy way to close the case and race. The young boy enters the building and throws the laundry in the washer. He's quickly trying to get out of there as he's completely alone. And in the hallway, there's a hole in the wall. 

Now, for me - I'd be terrified of seeing a hole in the wall. It's pitch black inside of it. It allows one's mind to just project all the fears and thoughts into what could be in that space. Hell there's been times where if I'm alone in my house, I begin to get creeped out. My house is old and it definitely is true that they have their creaks. So, I was right in there just wishing that the boy would hurry up. As he turns to go up the stairs, a little silver wrapped candy comes out of the hole and slides across the floor. At that point, I would have been out of there. Probably would have tripped and fell up the steps attempting it. The young boy though is terrified and frozen in place after screaming. Sherman Fields emerges from the wall. Sherman is able to hand off some candy to the young boy, who then proceeds up the stairs. The police quickly arrive on the scene and make sure the boy is out of the way. However, instead of there being just the two police officers that were in their police car outside - it's at least twelve officers. And sad to say that they are quick to act and kill Sherman. 

This was a very bold way to jump start the film. It has a very distinct feel to it that's created by the atmosphere and tension. The imagery is very strong. Especially the use of shadows. It also helps establish this Candyman's story. And with such a strong beginning, the message of the film hits super super strong. With this film, there are many layers and messages within it. I honestly cannot recall a film that made me think this much. That's probably why I fell in love with it so much. And the best part of it all, it will hit differently for each person that watches it. So it allows the viewer to let the film create a personal connection with them. 

After the solid opening, we meet Anthony McCoy and Brianna Cartwright. They are having a dinner date with Brianna's brother, Troy and his boyfriend, Grady (I think that's it. Apologize if it's not.). It's established that Anthony is a great artist but is going through a small rut and cannot find inspiration. Troy ends up sharing a nice ghost tale with Anthony and Brianna. It's the tale of Helen Lyle - a graduate student who went on a killing spree in the 90s. She apparently attempted to sacrifice a baby before she was stopped by the residents. This was an amazing call back to the original. It helped establish the theme of mythic stories and the way we tell them. Because as us in the audience that have seen the original, we know the real story. But just the way stories can change and evolve as they are passed down is something that is very interesting. 

After looking into Helen's story, Anthony travels to Cabrini-Green to see if he can find any inspiration. While there, he discovers just how empty the area is. It's literally a ghost town - this sequence was very eerie with some tragedy to it. Just seeing all of the empty buildings in the area with no one around. It's unsettling and shows how much the city has just given up on it. Expanding upon the theme of gentrification that was mentioned in the first one. Comparing the Cabrini-Green of this film to the one from the first film, it's interesting seeing how farther it went. Especially after it's mentioned that the high-risers were taken down to make way for newer buildings. Looking back at this sequence, just seeing Anthony interacting with the area he was born in - it was a little heartbreaking. This whole film is so tragic and adds even more layers to that original film. 

While on his journey, Anthony meets William Burke. Burke is a local that grew up around Cabrini-Green. To me, it's a bit sad that Burke is someone that hasn't gotten out of the area. He can't seem to let go of the past or honestly doesn't wish to. Later on, we discover more of Burke's backstory and learn that he is the young boy from the beginning of the film. Burke helps run a local laundromat. Oh and also while Anthony was walking around his former stomping grounds, he was stung by a bee. It is definitely at this point that the film begins to kickstart everything. Back to Burke, he shares the local story of Candyman to Anthony as well as the 'rules' of how to summon him. 

Inspired by this new story, Anthony crafts an art exhibit centered around 'Candyman' that is featured at Brianna's gallery. The way that the exhibit uses the mirror to showcase the art. That was absolutely awesome with the way it just looks like a simple mirror. But it opens to reveal Anthony's art hidden behind it. Anthony's exhibit dares people to say his name. Unbeknownst to him, Anthony has begun spreading the tale of Candyman and reminding people of him again. A high school girl is at the exhibit and learns of the 'game'. Anthony leaves after he sees his exhibit hasn't received positive feedback. 

Brianna's coworkers are murder later that evening after one of them says 'Candyman' in front of the mirror. News gets out of this after Brianna discovers their bodies. Immediately Anthony is a little happy because he heard mention of his name and his work. Honestly, this wasn't a bad moment. There are some that will think that Anthony has started off his rocker because he isn't showing much empathy for the death of Brianna's coworkers. But like any PR is good PR. Moving back to the murder of Brianna's co-workers, it's off putting. It happens very quick and it's very unapologetic. Especially when it comes to one of them, it happens before you can fully process what happened. And before you know it, you are left with one of them being hunted by Candyman. With this kill, it's a little slower. It utilizes the mirrors to show that Candyman is an entity. He can only be seen in mirrors or reflections. That is something that is utterly terrifying. And seeing the cutting of another piece of art - seeing nothing and then in the reflection seeing Candyman. That was awesome. It helps set Candyman on a more mythic level. 

The legend continues to spread as more people are killed after saying his name, including an art critic and a group of high school girls. Now, both of these sequences are awesome. They are great contrasts to one another. One is a bit isolated as we witness the murder from a wide shot. It's a very beautiful shot as the moment of horror is contrasted to the neighbors around  in the apartment building. It's also one that is very sudden. The group of high school girls is definitely a whole different beast. They think that they are playing a game and that it's not real. However after they are mean to another girl, one of the girls heads back to get her vape. Cause you know, you gotta have that. But its when Candyman shows himself. We don't see what happens to each of the girls. We are left with the girl they were picking on in a bathroom stall. Just witnessing the horrors that happens and seeing the events from a compact mirror.

Anthony continues a transformation. His bee sting has now transformed into a much worse transformation. It's scabbed over and there is so much body horror on display at first. It was to the point where I wanted to yell at the screen. I wanted to yell at Anthony for being an idiot and just stop picking at it. Honestly, the whole sequences of seeing Anthony's transformation. It's very artistic and that's pretty cool tie to the film. Especially as it travels up the side of his body and face, it gives the feel of a honeycomb look to it. And that's something cool to differentiate this Candyman from what has come before. 

Anthony ends up seeing his mother after he learns he was born in Cabrini-Green. It was nice seeing Anne-Marie returning from the original. But to me, it feels like it's nothing more than a cameo. Like yeah it does help Anthony realize how far into things he is. It felt like we should have gotten more with her. Honestly, it may not  have hurt to shown a little flashback to when Anthony was younger. At this point, Anthony is taking time to not see his mom. It isn't till he's desperate to confirm what he knows - when he needs her the most that he sees her. It fell a little flat because we don't necessarily have much insight into this relationship. 

The whole relationship between Anthony and Brianna. That's another point for me that didn't necessarily gel for me. I get that they are supposed to care about each other. However, it feels surface level. We don't see many scenes where they are interacting together. And as for Brianna, she already had a lot of stuff in her closet. It feels like there are more in depth layers to her backstory. I mean they set up her father was an artist and when she was younger he committed suicide. To me, it feels like there was more to it that was cut. Personally, I wanted to learn more about what was he painting as that was what led to his suicide. Was  he seeing Candyman himself? It would have added a bit more tragedy to things. It feels like there is stuff that was cut for time or maybe it wasn't working. 

Brianna is worried about Anthony after an argument. It leads her to Burke. At this point, this is where Burke's backstory is on full display as well as his motives. He wants to bring back Candyman. He wants to get back for those that are wronged. To do so, he has to complete Anthony's transformation and ensure a tragic event would  befall Anthony. Somehow that recipe would allow Anthony to become Candyman. Like Burke is off his rocker. But after thinking bout the film, it made me think about the opening with the Sherman Fields. Was the young Burke trying to do this same thing back then? Or was this something that happened over the course of the years? We also see a flashback where we see Burke kicked out of the bathroom by his sister. She says he's too young and that she's going to play a game that is for adults. She says the name and then a thud is heard. Burke is able to open the door slightly to see his sister on the ground and then sees the Sherman Fields Candyman in the mirror. 

Burke calls the police and informs that there is a murderer in Cabrini-Green with a hook for a hand. At this point, I had already known how the film was going to end. It wasn't going to be a happy one. It was going to be one fitting for this franchise. Brianna was able to get free before Burke could give her a lollipop (complete with razor inside). There's a chase and we close out in the same building that Anthony had gone into at the beginning of the film. It was kind of a full circle. Brianna is able to kill Burke. But then we have Anthony come into the room, his wounds were finally getting to him. The lights of the cop cars begin to shine. It's a touching moment between Anthony and Brianna. 

Then the door kicks open and immediately shots are fired killing Anthony. Brianna is escorted out of the room to a car. An officer gets into the car and asks what happened. Brianna's in a very stunned moment. The officer tells her that this is going to go two ways. At this moment, I felt extremely uncomfortable. It's definitely a feeling you are supposed to have. This whole sequence felt very close to what I can only imagine is something that happens more than we would like to say. It's something that is still extremely relevant, especially after everything that happened last year. When Brianna finally snaps out of it, she's ready to do what she has to. The thing that she said she wouldn't do. She says Candyman into the car mirror. Anthony returns - at this point I was like Let's Go, and enacts justice on the officers. There is a bit of flashing lights in this scene. My partner is someone that doesn't do well with those. I'm hoping that when it comes out on blu ray, this scene won't be a problem for them. Because this is the sequence that is so beautiful. It's so perfect. Especially as we see Anthony, in full Candyman mode, walking around the police cruiser. The reflection in the miraror each consisting of a different Candyman (someone that had a tragic injustice happened to them) before he chases after the final officer. It also can be said that in the beginning of Anthony's walk he was walking, but when he rounded the cruiser - he was floating off the ground. Super super cool. The speech that Anthony is giving during it is the one that is so memorable. It is Tony Todd's infamous speech from the first film. 

By this point, I had nothing but goosebumps. So so perfect. Brianna exits the cruiser and follows the sounds that are happening. She discovers the final officer being attacked by Candyman. At this point, his face was covered by bees. It was hard to discern if it was Anthony. But then the bees parted to reveal Tony Todd's face and telling Brianna to tell everyone. 

Now on to the topic of Candyman himself. I love what they did with it. Yeah, we don't get Tony Todd's Candyman right away. There is a beautiful build up to it. The film expands the lore so much by introducing not just Sherman Field's Candyman but that there were three others besides Daniel Robitaille. The idea that Candyman is a hive - not just one person is Candyman. That is so frickin bold. It also helps illustrate why the Candyman that Helen had seen was Tony Todd's and not Sherman Fields. It's because it reflects on which story you first hear. Now, there are three other Candyman that we didn't see. That honestly opens up a large portion of storytelling potential if they wanted to dive into those. Though, the credits were so important. The original theme finally returns as we witness the shadow puppets making a return. They are telling the stories of Candyman through the years. So we get glimpses of each of the Candyman's stories. The most heartbreaking one to me being of the child. We aren't exactly given details on what happened - but it is so tragic. The final imagery being of the five Candymen with others beginning to stand behind them. It is so powerful. 

I think this may be the most that I have talked about a film yet. There is just so much to talk about. There is still things that could be talked about. Like I mentioned earlier, this film is so beautiful because of the many many layers it has. It is possible to take something different away with each viewing of the film. It did feel a little short because the pacing is a little quick. It makes me wonder if there was things that were taken out for its theatrical run. If there were things, what was it? There are still some things that felt like they were dropped instead of being closed out. Could they be picked up on in a sequel? That could very well be. At this point, I am hoping that we will see a sequel to this. And it cannot come to blu ray fast enough. 

Rating: 5 out of 5. Amazing story. Strong imagery, strong messages and many layers to the film. 

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The Curse of La Llorona

This past week, I had the pleasure of watching The Conjuring: Devil Made Me Do It (or as I call it Conjuring 3.5). That was directed by Michael Chaves. After finishing it, I remembered that hadn't watched The Curse of La Llorona and was happy to discover he had made that film as well. Join me as I discuss The Curse of La Llorona. And yes, I include it with my Conjuringverse films. Fight me. 

Now, the film opens with a pair of boys playing in an open field with their mother. They begin spinning around and one of them discovers that he's the only one in the field. He goes to investigate where his brother and mother have gone. He happens upon a dreadful sight - his mother drowning in his brother in a river. Turning upon her son, the mother quickly goes after her son and is able to grab him. This is La Llorona. And it's a bit of a powerful opening. Especially as it sets up that kids aren't exactly safe in this film. 

1973. A social worker, Anna (Linda Cardellini), is investigating a troubled mother, Patricia (Patricia Velasquez), that is suspected of child endangerment. Anna discovers Patricia has her two boys locked in a closet. Unsure of what else to do and having her hands tied, Anna takes the boys with her to an orphanage after Patricia is taken in by the police. Anna returns home to her children, Chris (Roman Christou) and Samantha (Jaynee-Lynne Kinchen). Anna is doing the best to take her of her family as she is dealing with the loss of her husband. Later that night, the two boys are taken by La Llorona. 

Anna is awoken by a phone call. She's been called to identify the bodies. Having no one else at home, Anna takes Chris and Samantha with her. Anna instructs Chris not to leave the car and to watch his sister. What could go wrong? Anna talks with Detective Cooper (Sean Patrick Thomas) and able to identify the bodies. Chris leaves the car because it wouldn't be a movie if he didn't listen. However, he quickly wishes he would have listened to his mom as he encounters La Llorona (Marisol Ramirez). This is just the beginning of their problems. Soon enough, Anna and her family turn to Rafael (Raymond Cruz), a former priest, to help against La Llorona. 

I won't dive too much farther into the details of the story. But rest assured, this is a solid entry in the Conjuring films. Yeah, I understand that there are some people that will disagree to it being part of the Conjuring films. But the connecting tissue between the two is the character of Father Perez (Tony Amendola). Perez was the priest from the first Annabelle film. It was nice to see him return, even if it is for a small cameo. 

The cast in this film does a wonderful job. One of the biggest parts in a film like this would be the children. Roman Christou and Jaynee-Lynne Kinchen deliver solid performances as Chris and Samantha. I was quick to finding myself caring about what happened to them. And that's something that could be very hit or miss. If you don't like a kid in a role, there's a chance you'll grit your teeth while watching a film. That wasn't the case here. Linda Cardellini also does a very awesome job with her role. That is probably the next strongest point in this film is the family. If there's no chemistry then it won't work. However, this definitely comes across as a solid family unit. It was also fun to see Sean Patrick Thomas in a horror film once again. The last time I remember seeing him in one was Dracula 2000. 

Being that this is ultimately a ghost story, there isn't really much gore in the film. The film relies on atmosphere and tension. However, the studio also probably enforced jump scares. And boy is there jump scares. Not surprisingly, I will admit that the film made me jump a few times. But I strongly believe that it comes down to a loud noise accompanying the jump scare. Chaves does deliver on the atmosphere and tension. And it's easy to see why he was picked to helm The Devil Made Me Do It. His work with shadows is really cool. Plus there was one shot that I just loved. It might be a shot that was included in a trailer (wouldn't be surprised) but it involves Sam by a pool with an umbrella. It's set completely in the day. There's a good chunk of the film that is set in the day. But the way the Umbrella is used to show Llorona is awesome. I definitely think that might be my favorite part in the film as it is one that is very memorable. And by this point, a good chunk of these films always have a part or two that are very memorable. 

Now, I will take some time to talk about La Llorona. In the rest of the Conjuring films, we have seen some pretty cool designs. It's definitely safe to say that one of the most memorable ones belongs to The Nun. She's very distinct, striking and cool. La Llorona definitely fits into the pantheon of Conjuring Creatures (is that what you'd call it?). In the beginning of the film, she's very haunting. A figure in a dress that has her face covered. It has a bit of a tragic feel to it. However, as the film goes on - it begins to show Llorona's face more. This is something that began to hurt the film. The more I began to see of her, the more I began to wish they would have kept her to the shadows. It's not that it's a bad design. It's just more effective when you see less. The use of mirrors with Llorona was also pretty cool. 

Overall, this was a solid film. It had a nice atmosphere to it. The pacing was also really well done. I didn't find myself bored with it. And found myself caring about the characters a lot as well. Definitely would be fun to watch on a rainy day. 

Rating: 4 out of 5. 

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Saturday, September 4, 2021

Tiny Terrors Day 12: Leprechaun In Da Hood

After going to Vegas and Space, where could Leprechaun go next? Well, to be honest Inwould have been okay with it just chilling. I never expected them to say we want the Leprechaun to go to the hood next. Yes, I have the collection on Blu ray for the specific reason being that's where all the special features are. And you can be sure, I will be checking out the features for the next two Leprechaun films. 

Leprechaun in the Hood was the final film of the Trimark Era. After that, it would find a home over at Lionsgate. I remember when this was released, I saw it on the video shelf and just rolled my eyes. It just seemed so out there. But then again, Leprechaun had last finished in Space - so it made sense that we would get a new present day story. 

However, this is the film that has Ice T in it. I repeat Ice T. Absolutely crazy to think that Ice T is in a Leprechaun film. It is great casting because it sets the bar. It also helps set the tone of the film. 

In each Leprechaun film, we have seen him searching for something. This time around, he's searching for his missing golden flute. It was taken by Ice T as it give success to those who possess it. I won't lie, this was an interesting macguffin. Definitely adds a bit of different lore bits to the franchise. 

Now, this was a step up from In Space. It doesn't take itself seriously. It has fun with and embraces the horror comedy. Once again, Warwick Davis consistently brings more to the films. He's the large lynchpin to the success. 

While listening to the commentary for In The Hood, I learned that the film was shot in 14 days. Holy crap. That is super quick. Adding that to consideration when looking at the film, I definitely have to give them credit. They were able to put together a competent film. Each of the actors do a solid job in the film. In my opinion, no one oversteps into ludicrous territory. 

So at this point, I haven't talked about the story. Three guys that wish to break into the music industry. After they were rejected by a successful man in the industry, they take it upon themselves to get what they deserve. After one bad decision and a heist gone wrong, they find the Leprechaun hot on their tails. 

That's basically the jist of everything. It's a very small story. But after Space, this is a breath of fresh air. It doesn't feel stale or it overstays its welcome. It's also interesting to see the Leprechaun in this environment. Especially as there was a cut to him and he's surrounded by women. Seems like the Leprechaun has been finding his way in the world.

The gore in this film is a bit smaller in scale. The kills are pretty good. Can say that this is the first instance of a death by afro pick. I can just hear Joe Bob now referring to it as Afro Pick-Fu. Plus Ice T loses his finger to the Leprechaun. Talk about finger food. 

Overall, this was a fun film. It wasn't too bad. It never felt like it lagged. If you wish to watch a Leprechaun sequel, I would recommend it.

Rating: 3 out of 5. Better than 2 and Space. 

I was going to cover Leprechaun Back 2 Da Hood. However, that will not be the case. I found it to be very lacking when compared to the first Hood film. It's a skip it. 

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Friday, September 3, 2021

Tiny Terrors Day 11: Puppet Master Axis of Evil


We continue on with our deep dive into the Puppet Master franchise. Oh what a deep dive are we doing now. In this installment, I will be discussing Puppet Master Axis of Evil. The Axis Trilogy (Axis of Evil Axis Rising and Axis Termination) are the most recent entries in the franchise as Charles Band wanted to continue on with it. Yeah, there's been a Blade spin-off and I'm not sure if they completed the Dr. Death one yet. However, they will not be featured. 

Join me as I enter the Axis of Evil.

When news broke that Charles Band was continuing the Puppet Master films, I was excited. Again, I enjoy this franchise a lot. 4 and 5 are very much my nostalgia watches for sure. I even subscribed to Full Moon's streaming service last year for the Blu ray set. 

By that point, I had seen Demonic Toys 2 - another recent Full Moon release. And I won't lie, it was extremely rough. I had my expectations very very low for Axis of Evil. 

During the Second World War, a young man, with the help of some animated puppets, must stop the Nazis who attacked his family and kidnapped his girlfriend.

This is all of the story for Axis of Evil. It really doesnt seem like there's much to it. And honestly, there's not. But it does do a decent job with what it wants to do. 

The film opens with Toulon and his murder from the original '89 film. This feels a little like a small rehash for the sake of needing more footage at first. However, the director David DeCoteau is able to then weave in the new story at the end of it. Axis of Evil was written by Charles Band and August White. 

Now, DeCoteau is familiar with this franchise already. He was the director responsible for giving us Puppet Master III: Toulon's Revenge. So it makes sense that Charles Band may have been trying to play up the nostalgic love for that film. It even feels further the case as this film and the two follow it also take place in the same time frame. 

But the film feels like it's playing up also a storyline from a certain Marvel character. Let see if this sounds familiar. Man has his brother going to war and he wishes to join the fight, but he has to stay behind. However, he uncovers a plot and is able to join the fight with the help of some new friends. Now, just looking at that few sentences it reminds me of Captain America. But instead of super soldier serum, we have the Puppets. 

I know Captain America hadn't arrived yet until 2011. But the comics have been around for a while. So it's clear that there was some inspiration for it. Now in an earlier installment, I discussed how the Puppets reflect the Master's intentions. If they are a bad person wishing others harm, the puppets are bad. If the person is of good nature, then the Puppets become a force for good. Here in this film, we have them being a force for good as Danny is a good man. 

The secret plot that Danny uncovers revolves a Japanese woman working with the Nazi men that killed Toulon in the beginning. They are getting ready to bomb an American factory that will halt progress of production of ammunitions and weapons for the war effort. Danny tries to tell his girlfriend but she ignores it. It isn't till she is kidnapped that she believes. And Danny's mother and brother both are caught in the crossfire of this little war going on. 

I won't say that this film is better than Puppet Master III. But I will say that this is better than some of the other entries in this franchise ( Puppet Master II, Curse of Puppet Master and The Legacy). The puppets are decent replicas. It is noticable that there is a difference to them when compared to a puppet from an earlier film. But overall, they do the job. We see Blade, Tunneler, Pinhead, Jester and Leech Woman from the earlier films. Now, I enjoyed seeing Leech Woman again as it has been some time since we have seen her. She's still super creepy and effective. We also have a new Puppet, Ninja. Ninja has been given the spirit of Danny's brother. 

There is little to no gore in this film. It's a bit lighter compared to previous entries. And for what the film was made with, it does a decent job. And the ending of course doesnt wrap things up in a nice little bow. The acting is also decent.

Rating: 2.5 out of 5. 

The other two in the Axis Trilogy will not be covered. I tried to get through the next two. And it's super rough. It didn't help that the characters that carry over from this film were recasted. That definitely hinders the next film. And then in Axis Termination, they are just scrapped to replace with Paranormal Investigators.  Overall these three entries probably could be skipped entirely and wouldn't miss a thing. 

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31 on 31 for Halloween Day 7: The Purge (2014)

The Purge (2014)

Continuing our look at The Purge franchise, we look at The Purge. This was the initial film that has started it all.

The set up is very simple.

A family’s night of peace on Purge Night is thrown into chaos when their son offers shelter to a man. It is at that point that the night really begins as the attackers find their way to the doorstep.

Watching this series in chronological order, it adds to the experience. We understand a small piece of what had lead to Purge Night. So, the stakes are set as the attackers arrive at the doorstep asking for their prey to be released to them.

It’s interesting watching it these years later to see how their society is displayed. And looking at real life, it is very eerie seeing the parallels.

One of the true standouts to me is the humanity that is ultimately displayed as the family chooses to help a man that they do not know. It’s incredible.

Another is just how much society has embraced Purge Night. It is a bit unnerving to think that this is something people feel they need so strongly. And the terror of not necessarily knowing where an attack may come from. Case in point is seeing how two faced people can be as you may have your neighbors being nice one minute than coming to attack you.

Another aspect that I enjoyed was the character of the son. He is a true innocent that wishes to help if he can. He represents the hope and the good that is still in this largely dark world.

Largely this is a film that is not built on the kills. It is built upon the interactions between the characters in this world. And that is where the film shines.

Rating: 5 out of 5.

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Wednesday, September 1, 2021

Tiny Terrors Day 10: Bride of Chucky & Seed of Chucky

Welcome to Day 10 of Tiny Terrors. So far, we have covered a good chunk of each of our franchises. They have already had their ups and some have had their downs. We are beginning the endgame to this series. It's been interesting diving into each of these films and has given me more appreciation for Puppet Master, Child's Play and Leprechaun series. 
Join me as today I dive into Bride of Chucky and Seed of Chucky. Both of these films were a turning point for our favorite pint sized serial killer, Chucky. 

Bride of Chucky was released in 1998. It was a Universal Pictures production written once again by Don Mancini and directed by Ronny Yu. 

It had been seven years since Charles Lee Ray had graced the big screen. For some that is a lifetime, for Chucky it was the time it needed to figure out where to go next. And at this point, Chucky was a bit lonely. He just wanted to find love. And boy did he. 

At the beginning of the film, we see the evidence lock up that Chucky has been held in for the past seven years. Chucky has been in good company as there are articles from Freddy, Jason, Michael and Pinhead. This was a great easter egg horror heaven. A cop grabs Chucky and sneaks him out. 

Upon reaching his destination, the cop's throat is slashed by Tiffany (Jennifer Tilly), former girlfriend of Charles Lee Ray. This felt like a bit of a retcon but at the same time it did open up more about Chucky's past. Plus she is a bit of a firecracker. 

Tiffany patches Chucky back together and then resurrects him. She has been spending the time to find him so then she could make his life miserable. This idea is fantastic as it helps illustrate how terrible Charles was. She also had a fling with a guy named 'Damien' who was going through a goth phase. Chucky has a heart to heart with Damien and sets things right with some pillow talk. 

Tiffany dispatches the body with the help of her gullible neighbor, Jesse (Nick Stabile). Eventually, shenanigans (Chucky electrocutes Tiffany then resurrects her in a doll body) and a John Ritter happens that jump kicks the movie into a hostage situation. Ritter does a great job with his performance. I can only imagine how much fun he had filming. We also have a young Katherine Heigl playing Jesse's love interest, Jade. At this moment, I can't recall how Ritter is related to her. But he overprotects and leaves a very creepy vibe with her as he has a mean hate-on for Jesse. 

Jesse and Jade take off. Unbeknownst to them, Ritter was killed and locked in a trunk in their van. Tiffany and Chucky also are joining them on this adventure. It's a road trip for the ages with lots of mayhem and murder. With each stop, Chucky and Tiffany finding more victims to take care of. This all culminates in a love scene between the two dolls. Yeah, a love scene. As the word was back when this was released, Chucky finally gets lucky.

The two love birds, Jesse and Jade, have grown increasingly paranoid and fearing one another. It's to the point where they unsure if the other did it or not. They end up meeting back up with their friend, David (Gordon Michael Woolvett giving off Alex Winter vibes). He discovers the truth and becomes shredded meat as he's hit by a vehicle. 

Chucky and Tiffany happy that they finally can be themselves take Jade and Jesse captive. I believe by this point they were driving an RV. There's also some investigators that are in pursuit of them. This all ends in a shocking ending in a graveyard. They arrive to Chucky's corpse to retrieve the amulet needed. It's ritual time. Jesse gets hit in the back with a knife at some point. Ultimately Chucky and Tiffany throw down. Jade grabs the investigator's gun and shoots Chucky after Tiffany's stabbed in the heart. The investigator sends Jesse and Jade on their way after declaring them innocent to the police. The film ends with a bang as a sweet baby boy comes flying outta Tiffany at the investigator. 

Bride of Chucky is an interesting film. It was done to spice things up to the franchise. And boy did it rev the franchise back to life. Chucky went as far as being nominated for MTV movie award Best Villain that year. Its also a huge love letter to the old classic Universal Monsters. There's no denying the parallels between this and Bride of Frankenstein. I mean come on, Tiffany even recites some lines from that film. But it's a fun popcorn flick. I mentioned with the Conjuring Universe films being comfort films. This definitely joins them as that as well. It's fun to just throw on during a rainy day or a fall day. It's very straightforward and wears it's heart on its sleeve. The shift in tone wasn't that dramatic either. It felt like a natural evolution. The kills were all interesting and inspired. If you haven't seen it, check it out. If you have but haven't in a while, give it another watch.

Rating: 4 out of 5. 

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A few years later, Don Mancini returned once again. This time, he was ready to handle the writing and directing duties with Seed of Chucky.

The film picks up after Bride of Chucky and focuses on the child, Glen. He has a nightmare where murders a little girl's parents. Immediately, we can see that Glen is different than his deceased parents. He doesn't want to hurt anybody, just live his life. This is definitely a very interesting take. 

Glen has been living as a ventriloquist dummy to an abusive owner. It's bad. There were a moment or two that I was hoping Glen would just finally have enough. But he's a very gentle soul. He eventually does escape though and makes his way to Hollywood.

Why Hollywood? Well they are filming a new Chucky film there with rebuilt Chucky and Tiffany dolls. The whole meta angle was something that I dont necessarily gel with. It feels very on the nose and a step too far into ludicrousness. But at this point, it made sense as meta was a bit of the rage at that point. Though, it was beginning to be a thing of the past. 

Glen arrives in Hollywood and brings back Chucky and Tiffany. Both are surprised with Glen. Because A) He believes he's their child. B) Glen doesn't show an ounce of that killer instinct Chucky was hoping for in a kid. By this point, we have had Chucky save Tiffany by decapitating a production member of Chucky Goes Psycho that was trying to take her apart. Glen was also a bit mortified by how easy it was for Chucky to just kill. 

At this point, Glen questions his parents' murderous ways. He challenges them to try and stop. We know that Tiffany may have a decent attempt at being able to do this. However, Chucky just can't. It's what he loves to do. It's what he's good at. It's what he's known for. What kind of life can Chucky have if he doesn't kill? Well, a family life. 

Both Tiffany and Chucky attempt to appease their child to hilarious hijinks. This film feels like a spoof of what fans expect out of a Chucky film. I understand that's probably not the intent. But it's just how it turned out. The further dive into it, the further this shows itself.

Tiffany and Chucky want to be human again. By now, they have set their sights on Jennifer Tilly and Redman. Again, Chucky wants to...nevermind we not gonna dive into what that could mean. There is turkey baster jokes that would have made the Blind Man from Don't Breathe proud. 

They end up succeeding in using Chucky's essence to impregnate Jennifer Tilly. What a sentence that is. Their plan is to use the embryo to bring Glen into the world. With all of the craziness going on, Glen's parents are having a hell of an effect on him. It just warps him to the point where he develops two personalities - Glen and Glenda. This whole portion of the story was definitely ahead of it's time. It's now becoming more prominent and relevant to today as it celebrates it's LGBTQ message. 

Eventually the story goes crazy and we end up having Tiffany being killed by Chucky and Glen fighting Chucky. All the while, Jennifer Tilly is right in the middle of all the craziness. With both parents dead, Glen/Glenda is left in Jennifer Tilly's care. And ultimately, we see a flashforward five years where Jennifer is taking care of twins (both Glen and Glenda). The only thing is that Glenda has a bit of a mean streak like Chucky. 

Seed of Chucky originally left me upset. I wasn't happy with it. It just never clicked. Over the years, I began to have an open mind and reapproached the film. With each viewing, I began to see the multi-layers that make up the film. And more than now, I appreciate the story Mancini wanted to tell. 

While it isn't my favorite of the series, I say give it a shot if you want something fun.

Rating 3.5 out of 5.

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Family is Forever: Halloween II

When Halloween '07 was released, it ended with a bang and had me wanting to see where the story could go next. I wasn't too sure as they literally ended with shooting Michael in the head (yeah, it's off screen but still). That's a pretty ballsy way to end a film. 
So when news began to trickle out that there would be a follow-up, I was ecstatic. Rob had already laid a solid foundation with his first film. He had resurrected (no pun intended) Michael and Haddonfield and introduced them to a whole new audience. I was ready to see just exactly how they were going to say Michael had survived a shot to the face. 

Ultimately the film was released in 2009. It received a lot of mixed reviews. It also received some decent ones as well as some really terrible ones. 

When I had the time to sit down with the film, I remember not enjoying it. I was flabbergasted. I was bamboozled. It didn't click with me whatsoever. Over time, I spent more time with it. And it slowly began to win me over. 

The first thing that struck me was the opening of the film. Immediately with a bang, we were thrown back into Haddonfield at the end of the 2007 film. Laurie had just shot Michael then we cut to her walking and Sheriff Bracket finding her. I was on board for this. I really love it when films take the time to respect the continuity that they build with their franchises. It shows that they also respect their fans. 

Then we were thrown to the hospital. Laurie going through surgery. Then having Annie at Laurie's bedside watching over her. This whole thing was gnarly. The consequences of running in with Michael were very evident. I think the part that gets me every time is when they remove the finger nails. It's so gross to the point where makes me squirm every time. 

I had also seen the original Halloween II. I was having some serious concerns on whether they would have the whole film in the hospital. I mean it could be done. But it had been done. Part of me was a bit skeptical as we progressed further into this sequence. By now, the White Horse imagery was full blown and everywhere. Then quickly Michael struck...

This was a more brutal Michael. He quickly took down the head nurse with precision. And deep stabbings. He is unrelenting in his pursuit of Laurie. Just when I expected something to happen, Rob pulls the rug out from underneath me and shows that it's been a year later and the whole opening of the film has been a dream sequence. 

I'll admit at first I was fuming that it was a dream sequence. It felt cheap. It felt like was wasting time. Over time, I've come to love it. It purely encapsulates how much it channels the feel of the old Halloween films. Well except that Michael has stepped up his brutality. It honestly feels like a solid homage to the original Halloween II. 

Once this was taken care of, Rob takes the rest of the time to do the unexpected. He tells his own story. He takes the characters and the world and does what he wants to do. And it's absolutely fantastic to see him unleashed.

She's been staying with Annie and her father. This is an aspect that I do love. It makes sense that Sheriff Bracket would take Laurie in after the death of her parents in the previous film. It's a bit like a family now as Bracket has two daughters. Plus he does have a scene where he gets to be the goofy dad. 

In this film, we are able to see the PTSD that happens when dealing with the aftermath. Laurie already is a mess. She's extremely on edge. It's at the point where she's severely lacking sleep cause of nightmares. She has been seeing a therapist. But apparently that hasnt been helping. Things are bad to the point where Laurie and Annie argue. The arguing happens a lot. It's a bit tragic as they finally seem like they on decent terms that a darkness happens. Laurie just seems to be lost, unsure of who she is. Just that she works at the record store in town with her two friends.

That all changes when money grubbing Dr. Loomis reappears in their lives as he releases a book. This book details the history of Michael. So much of it would be considered blood money as Lynda's Dad tries to attack Loomis. 

The bomb gets dropped in the new book - Laurie is Michael's sister. It shakes everything to the core. Laurie's whole world and life turned upside down. Suddenly it's becomes a little clear as to why Michael was targeting her.

During all these events, we witness Michael on the mend. He has been biding his time for the past year, slowly making his way home. He's also been having visions of his mother and her white horse. The goal to reunite the family. He ends up coming across a pack of hillbillies and shows them who he is. They don't stand a chance. 

The closer Michael gets, the more Laurie's visions become frequent. Almost a family bond mental link going. This is an aspect that I don't necessarily click with. I get it, but doesn't really jive. But again it's important to the story.

Laurie becomes unhinged upon discovering that she's Angel Myers. It's to the point where she consults her therapist and loses her sh--. Like one hundred percent bonkers to the wall ape sh--. She also loses it with Annie. And then bails on everything to go with her two friends to a Halloween party, cause that's safe. 

Michael returns to town and ends up at the Rabbit in Red. That was the club his mom worked at in the first film. The bouncer tries to be tough and Michael is quick to put an end to that. Literally crushing his face in with his foot. Michael then visits the owner and his girlfriend (?). Yeah, that goes about well as expected. 

Michael then sweeps across the Halloween party. The first of Laurie's friends murdered. Laurie and her second friend return to the Brackett's. Michael is quick and had already beat them there. Poor Annie finally taken off the board by Michael. Laurie's other friend is also dispatched and kidnaps Laurie.

It's quickly known that Michael has Laurie. Loomis sees this development on the news. It's a standoff as Michael and Laurie are held up in a shack with police outside. 

On the case of Loomis, he's a douchebag. He has taken everything that he could to make a name for himself. He doesn't give a damn about anybody really. He just all about the money. So he's Moneybags Loomis. 

He has a bit of a change of heart. Well at the very least, he wants to attempt to help. Whether or not it's for personal gain, that can be up to the viewer. I personally figure it was still an attempt to have something to write about. 

Michael finally has had enough of Loomis trying to stop him from reuniting family. He stabs Loomis to death. Laurie was having visions during this exchange. To the point where she was believing she was being held down by young Michael. But upon being released from these visions, she takes the knife and stabs Michael to death. 

Laurie exits the shed wearing Michael's mask. She's taken into custody and finds herself locked up in an asylum. 

At this point, I love the ending. This whole aspect is just astounding. Rob took everything and made it his own. He got to do whatever he wanted to in the wonderful sandbox. And he told such a grand scale. Even more considering it's a story told over two films. 

Having Laurie in an asylum is brilliant. It brings things full circle as Laurie has now been infected with the mental sickness that Michael had. In a sense, Michael did accomplish his goal. I know it's all left up to the viewer to interpret things. Personally, that's the way I take it. And I would have loved to seen Halloween 3 that picked up that storyline. It allows a wealth of potential. But alas, twas not to be. 

This is a film that many have overlooked. It's Rob Zombie leaving his mark on the Halloween franchise. He was able to take the kids gloves, that were present in the first film, off. Personally, I do enjoy the first one. But I have grown to love it so much. 

Happy 12 Years, Halloween II.

Rating: 4.5 out of 5.
(Give the flick a rewatch with an open mind.)

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31 on 31 Day 6: The First Purge (2018)

Welcome back to 31 on 31 for Halloween. For the next few entries, I decided it was time to share my thoughts for the first four installments of The Purge franchise. When I viewed these films, I watched them in chronological order this time around. So join me as I discuss

The First Purge (2018)

The First Purge is the fourth film released in the Purge franchise – yet it is the first film chronologically.

It had been a while since I had seen the previous three entries in The Purge franchise. It allowed me to come to The First Purge with a bit of an open mind.

The First Purge follows America’s third political party, the New Founding Fathers of America, comes to power and conducts an experiment: no laws for 12 hours on Staten Island. No one has to stay on the island, but $5,000 is given to anyone who does.

This was a bit of a strong set up. We were finally going to be seeing something of what lead to The Purge becoming a national holiday. This was our glimpse into the ‘experiment’ that kicked everything off.

The film follows Dmitri (the local kingpin on Staten Island), Nya and her brother Isaiah, and some members of the New Founding Fathers.

The film did a really good job with each of the various storylines. There were some that felt a little lacking (the New Founding Fathers) compared to the strong storylines of Dmitri and Nya.

I understand that ultimately we know where the story is going to go. But the motivations of The New Founding Fathers could have been a bit more fleshed out.

The addition of the contact lenses for the participants was very welcome. It added a new aspect of the Purge mythos that we had never seen in the previous three entires. However, that is something that could feel a little out of place for others. Something that was never really addressed in the film was the various colors of the contacts.

However with much discussion, the Mrs. and I were able to come up with a hypothetical theory regarding those different colors. Each of the different colors represents a different level of what The New Founding Fathers expected from that participant. Blue is the innocent and least active in the experiment. All the way to the Purple that is displayed by Skeletor, who is one of the most active participants of this experiment.

This one part of the mythos would have been nice to see in the past installments. It added a bit of layers and terror. Plus the visual of the contacts was very striking.

Apart from the New Founding Fathers, the other characters were all strong and unique. For myself, I found myself caring about what would happen to Dmitri, Nya, and Isaiah. By the end of the film, it had showed us how The Purge had started as well as how the Resistance may have started as well.

Rating: 4 out of 5.

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Review: Iron Lung (2026)

Iron Lung marks an impressive milestone in Markiplier’s journey—his feature film debut after three long years of anticipation. O...